Walnut Street Shul Preserves the Future

Rabbi Kagedan proudly stands at the Walnut Street Synagogue bimah.

Unbeknown to the ten Chelsea families who founded the Orthodox Congregation Agudath Shalom in 1897, they had erected their synagogue in a city that in their lifetimes would become home to the largest percentage of Jews of any other city in the United States except New York.

 

In 1890, 82 Jews lived in Chelsea; by 1910, that number swelled to 11,000, one of every three residents. By 1930, almost half of Chelsea was Jewish, earning it the moniker, “Yerushalayim d’America.” If it seemed like there was a synagogue on almost every corner, that’s because there was: in its 1.8 square miles, Chelsea housed 18 synagogues.

 

When tragedy struck and the Great Chelsea Fire of 1908 reduced most of the city, including Agudath Shalom, to ashes, the shul’s immigrant founders were undaunted. They rolled up their sleeves and in 1909 rebuilt the synagogue on Walnut Street, which inspired the new building’s nickname, the Walnut Street Shul.

 

Designed by architect Harry Justin Joll, the magnificent building boasts ceiling frescoes painted by immigrant artists and an awe-inspiring ark by Sam Katz, the renowned master woodworker from the Ukraine who made Chelsea his home in the 1920’s.

 

Fast forward to 2017, and most everything about Chelsea has changed.

 

Gone are the kosher butchers, bakeries and religious and cultural institutions. Yiddish and Hebrew have been replaced by the mother tongues of recent immigrants from Central America, Asia, Southeast Asia and the Caribbean. According to the most recent Cohen Center for Modern Jewish Studies survey, Chelsea’s Jewish population has shrunk to statistical insignificance.

 

Of the 18 synagogues, two remain: Temple Emmanuel and the Walnut Street Synagogue.

 

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The Walnut Street Synagogues’s congregants are determined to revitalize their synagogue and, while they’re at it, to blaze a new trail for Orthodox Judaism. Last September, they hired Rabbi Lila Kagedan, the first female clergy member in the United States to preside in an Orthodox synagogue using the title “Rabbi.”

 

Within the world of Orthodox Jewry, this is a big deal.

 

Rabbi Kagedan attended Yeshivat Maharat, the Orthodox women’s religious training program founded by Rabbi Avi Weiss in the Bronx, New York. Because rabbi is a masculine word, Rabbi Weiss allows his graduates to adopt whatever title they want.

 

Some choose rabba (a feminized version of rabbi) or maharat (a Hebrew acronym Rabbi Weiss invented that translates as female leader in Torah, spirituality and religious law). When Rabbi Kagedan and her two female classmates graduated in 2015, she alone chose the title rabbi.

 

“It was the title that most accurately described the work that I trained to do. Like calling a doctor ‘Doctor,’” she said. “People did try to discourage me because it hasn’t been a typical choice in Orthodoxy, but I always wanted to serve the community and use my training and knowledge to support the Jewish community with pastoral and halachik needs.”

 

The Rabbinical Council of America (RCA), which represents over a thousand Orthodox rabbis across the United States, saw the matter differently. It adopted a policy in the fall after Rabbi Kagedan’s graduation prohibiting the ordination or hiring of women rabbis.

 

 

“Should it be allowed? Who’s going to make it illegal?” asked Jonathan Sarna, the prominent author, historian and Brandeis University professor who has written extensively about American Judaism. “In America, the congregants make their own decisions. We don’t have a Chief Rabbi. We don’t have a Ministry of Religion. Every congregation is, in a sense, a law unto itself,” he said by phone from Jerusalem.

 

None of these religious politics mattered to Board Secretary Richard Zabot, whose grandparents arrived in Chelsea in 1905 from Russia and helped found the Walnut Street Synagogue. In Rabbi Kagedan, he saw a perfect fit. “She showed a willingness to work with the unknown in order to achieve our goal: the rejuvenation of our synagogue,” he said.

 

Fellow Board member Eddie Medros, who grew up in Chelsea in the 1950s and attended the Elm Street Synagogue, agrees. “She is infectious with her drive and enthusiasm. She brings warmth, passion, inclusiveness and a love of Judaism,” he said, noting she has already reached out to the local community in a meaningful way.

 

The attraction was mutual. “The shul presents a challenge, which I am always up for. I also feel committed to keeping a shul that has existed for so many years going. Continuity is powerful,” she said.

 

Devra Zabot, Richard’s daughter and events chair of the shul’s museum, described the extensive vetting process Rabbi Kagedan received before the synagogue board offered the ultimate vote of confidence. “Given that the board members are all over the age of 70 and mostly male, this was a heavily discussed decision,” she said.

 

In the ten months she has been at the spiritual helm, Rabbi Kagedan has been busy learning the ropes and making connections with the greater Jewish and local Chelsea communities. Almost immediately upon arrival, she led the High Holiday services and organized a Chanukah celebration with a klezmer band that attracted over 150 people, including Zahava Stern, a new young member.

 

“I met a lot of people who grew up in Chelsea and were bar or bat mitzvah-ed in this shul, but have since moved out to Sharon or Brookline. They were so excited to come back and see an active community in a place they hold so dear to their heart,” she said.

 

Stern also noted that Chelsea’s location attracts families from the North Shore, East Boston, Cambridge and Somerville. “It’s a secret gem right in the middle of the action,” she said.

 

The Walnut Street Synagogue offers monthly Shabbat and holiday services, classes on a variety of Jewish topics and holidays, and pastoral counseling and services. Rabbi Kagedan is the founding member of the Chelsea Interfaith Council and has met with the City Manager and other non-profit organizations about partnerships and integrating the shul with the Chelsea community.

 

The shul is supported by its board and members and by the Chelsea community at large, including citizens, city councilors and non-profit organizations. There are 120 members, and it operates as a fully Orthodox shul, with a mechitza on Shabbat and during high holidays services. The Jewish Chelsea Home generously opens its doors to the Rabbi and her family and guests to stay over on Shabbat.

 

Somehow, Rabbi Kagedan also finds time to serve on several professional and religious boards. “My peers have been largely supportive and open. Once people meet me and get to know me and see or experience the work I am doing, there is less anxiety and hype about being a woman Orthodox rabbi and people see me as just simply an Orthodox rabbi,” she said.

 

For now, Chelsea and the Walnut Street Synagogue are her prime focus. “Chelsea was at one time a real center of Jewish life in the region. My priority is to get Chelsea back on the radar of Jews in Massachusetts and to let people know the Walnut Street Synagogue is operational,” she said.

 

This is music to Richard Zabot’s ears. He remembers as a child when all 1,109 seats would be occupied during the High Holidays. “The shul hasn’t lost any of its charm or awe. We’re inviting 900 new people to join us this Yom Tov and be part of the preservation of the future,” he said.

North Shore Jews Pray with their Feet in Salem’s Pride Parade

 

By Shelley A. Sackett, Journal correspondent

 

Laura-Jillian

(L-R): Laura Shulman Bronstein and Rabbi Jillian Cameron with their “totes gay” tote bags.

 

The sixth annual North Shore Pride Parade and Festival will wind its way through Salem on Saturday, June 24, and for the first time, there will be an official Jewish North Shore group participating.

 

Even though the parade takes place on Shabbat, the Jewish day of rest on which observant Jews refrain from various forms of labor, 30 people have committed to marching under a banner that identifies the group as “Jew(ish) Tribe for Pride” and includes the logos of its sponsors, InterfaithFamily and Cohen Hillel Academy. 40 more have expressed interest.

 

It all started at last year’s parade, in which Laura Shulman Brochstein, Rabbi Jillian Cameron and Liz Polay-Wettengel marched with their families. They were chatting on Salem Common, where the parade ends, lamenting the lack visibility from the Jewish community, despite what they knew to be a welcoming Jewish community for LGBT individuals and families.

 

They figured the likely reason was that the event took place on Shabbat.

 

Liz with Sign

​Liz Polay-Wettengel holds an equality sign at last year’s North Shore Pride Parade.​

 

“Because of our collective professional experience working for Jewish organizations over the years, we knew that for many, this was the barrier for participation,” said Polay-Wettengel, who lives in Salem and is National Director of Marketing and Communications at InterfaithFamily.

 

Brochstein is a social worker from Marblehead and the North Shore Outreach Manager for Jewish Family and Children’s Service; Rabbi Jillian Cameron, of Salem, is the director of InterfaithFamily/Boston.

 

“We thought, ‘What if we marched as individuals and not as an organization?’” Polay-Wettengel continued. Over lunch one day, the three decided that, as Jews in the North Shore community, they wanted their LGBTQ friends to know that the Jewish community supported them.

 

The three women organized an independent Jewish group, called Jew(ish) Tribe for Pride, creating an opportunity for North Shore Jews to march together, regardless of institutional or rabbinical support or opinions.

 

As a Jew, a rabbi and a member of the LGBT community, Rabbi Cameron can’t think of a better way to spend Shabbat on June 24 than marching with her North Shore community. “For me, this is a sacred act, an act of prayer, a way to seek out greater connection with my fellow human beings and with God,” she said.

 

Although Beverly’s Temple B’nai Abraham members will participate in the Pride Parade for the third consecutive year, they march with the Beverly Multi-faith Coalition. After their Shabbat morning services in the TBA chapel have ended, “We will pray with our feet (as Rabbi Abraham Joshua Heschel described his experience marching for civil rights),” said TBA’s Rabbi Alison Adler.

 

“ I don’t see walking in a parade in support of equality and inclusion as a violation of Shabbat – just the opposite,” she said. “Shabbat is supposed to give us a taste of the kind of world we want our children and grandchildren to inherit, a world of equality, free of hatred. I am thrilled that there will be more of a Jewish presence this year under the Tribe for Pride banner.”

 

Rabbi Adler was instrumental in getting the North Shore Pride Board to change the night of the interfaith service preceding the march from Friday to Thursday. As a result, most North Shore rabbis and cantors will attend this year, leading a song together as part of the service.

 

Rabbi Michael Ragozin, of Conservative Congregation Shirat Hayam in Swampscott, applauds Rabbi Adler’s success and will attend and publicize the Thursday night event. However, he cannot do the same for Saturday’s parade.

 

“Shabbat and support for the LGBTQ community are two values that I hold dearly. Unfortunately, the North Shore Pride parade conflicts with Shabbat, and I will not publicize events that conflict with Shabbat,” he explained.

 

Rabbi David Meyer of Marblehead’s Reform Temple Emanu-el supports any of his congregants who wish to attend and participate in the parade, although he thinks it would be in poor judgment to have the Temple play an official role in a secular event that takes place on Shabbat.

 

“Although certainly not a traditional approach to Shabbat observance, sharing in the work of increasing civil rights, justice and peace in our community, nation and world is very much in keeping with Reform Jewish principles,” he said.

 

Rabbi Cameron welcomes everyone to march under the new Jew(ish) Tribe for Pride banner. “In life, there aren’t many parades, aren’t that many times we get the opportunity to show up and physically express the things which are important, which makes us who we are,” she said.

 

For more information, email northshorejews@gmail.com. or visit salem.org/event/north-shore-pride-parade/. To RSVP, go to bit.ly/NorthShorePride.

PEM hires neuroscientist to enrich visitor experience

Tedi Asher

Dr. Tedi Asher

Groundbreaking initiative first in the museum world

By Shelley A. Sackett, correspondent

 

By his own admission, Dan Monroe is “afflicted with intense curiosity.” The Peabody Essex Museum executive director and CEO relaxes by intensely investigating fields unrelated to art and appreciation, such as quantum physics.

 

A few years ago, neuroscience caught his attention. After reading roughly 150 books and publications, it became clear to him that neuroscience has a direct role to play at PEM.

 

“What we essentially do is to create experiences of art and culture. We call them exhibitions and programs, but we are really creating experiences,” he said.

 

Since research shows that all experiences are created in our brains, he reasoned, if PEM wanted to remain at the forefront of designing meaningful, relevant and impactful art experiences, it would be a good idea to better understand how brains work.

 

Essentially, he thought that by getting inside visitors’ heads and figuring out how they felt, how they saw, what caught their attention and what they remembered, PEM could enrich their visits.

 

Plus, it would make the museum a more fun experience.

 

His team began experimenting with this new approach, adding innovative multi-sensorial elements to select exhibits. Professional dancers greeted visitors in the “Rodin: Transforming Sculpture” galleries, their movements and poses reflecting those of the sculptural works. “Asia in Amsterdam” showcased fragrant spices, a soundtrack conveying 17-th century Dutch life, storytelling and striking graphics.

 

The feedback was overwhelmingly positive.

 

“The dancers created a new kind of attention and a new avenue for people to appreciate and see sculpture,” he said, noting that the traditional way museums transmit information — through written labels — is not working. “If people read them at all, they spend an average of 2.5 seconds, even at the oversized introductory panels,” he said. He wanted a more transformative experience for the PEM guest and, based on visitor surveys, so did the public.

 

After the success of the Rodin and Asia shows, Monroe and his team decided to expand their reach. They applied for and received a $130,000 grant from the Barr Foundation, a Boston-based philanthropic organization, to launch the neuroscience initiative and delve deeper into using neuroscience research to enhance the way PEM designs exhibits.

 

The initiative enabled PEM to hire Dr. Tedi Asher, a neuroscientist who earned her Ph.D. from Harvard Medical School’s Biological and Biomedical Sciences program 2016, and joined PEM as its full-time Neuroscience Researcher in April. “To our knowledge, this is the first art museum in the world to hire a neuroscientist and put them on staff,” Monroe said.

 

Asher is thrilled with her first job outside the academic arena. “Where else but at art museums can one witness such breadth and depth of emotional experience?” she asked.

 

She was looking for a position that would allow her to creatively communicate neuroscience to non-scientists in a non-traditional teaching environment that would reach beyond academia and benefit the public at large.

 

“I came across PEM’s job ad and it seemed to fit that bill,” she said.

 

Asher’s primary academic focus has been studying emotion, starting as an undergraduate at Swarthmore College, where she studied learning and memory in the common fruit fly. Her doctoral work in neuroscience investigated aggressive behavior in mice.

 

At PEM, she will step out of the laboratory and explore how PEM can enhance and enrich the visitor experience by designing exhibits that will evoke human emotions, thereby leaving lasting impressions.

 

“Teri has a keen interest in using neuroscience to make the world a better place. She’s learning a great deal about art and culture and how museums work at the same time she’s teaching us about neuroscience and how brains work,” Monroe said.

 

Asher’s tasks are threefold. She will investigate how human brains are wired to appreciate art and how that information can be used to design exhibits that resonate on a personal level. She will then work with PEM staff, teaching them basic concepts that are relevant to their work as exhibition and program designers, such as how visual and attention systems work and how they relate to emotion. Finally, she will also pen a small publication to explain the concept behind the neuroscience initiative and its applicability to museums.

 

The skills she honed during schooling — particularly her ability to “mine the literature in an efficient and effective way” — will be key to her position. Specifically, she will be looking at the structure of the visual system and how that influences visual perception, asking questions such as, “What neurostructures allow us to regulate attention? What characterizes how we allocate attention with an experience like a museum visit?”

 

It will be then be up to PEM exhibit designers and staff to translate and incorporate that information into the museum’s installations.

 

The timing of Asher’s hire couldn’t be more perfect. PEM continues to undergo a comprehensive renovation and expansion project, featuring a 40,000 square-foot new wing of galleries, which will open in 2019. At the same time, Monroe explained, PEM is also in the process of refreshing its permanent collections, creating new installations of virtually all of them.

 

“The entire experience at PEM will be new, based on ideas we’re deriving from neuroscience and other fields,” he said. Asher will assist in this overhaul too.

 

Since 2003, PEM has used The Morey Group to measure overall visitor satisfaction through a standardized survey tool used within the museum industry. Among the 80 museums tracked by Morey, PEM is head and shoulders above the rest, ranking number one every year since 2003.

 

“We’ve long been pursuing innovative approaches,” Monroe explained modestly, adding, “but the neuroscience initiative is a distinctive one.”

 

Monroe credits the neuroscience initiative with motivating PEM to shift gears away from written text and towards better and more storytelling. “Stories are the glue that holds us together as social animals. Good stories elicit emotion and emotion is really critical,” he said.

Creating intergenerational bonds the old fashioned way: by writing letters

by Shelley A. Sackett

 

 

Stanley Elementary School fourth grader Drew Hause couldn’t wait to go to school last Wednesday, June 7. Since October, he and 21 other students in Mrs. Sami Lawler’s class have corresponded with pen pals from the Swampscott Senior Center and today was the day they would finally meet them face-to-face.

 

The seniors were just as excited. For many who live far away from their own grandchildren, gaining a peek through the keyhole of a nine-year-old’s life over the course of the school year was a welcome treat during the long slog of the New England winter. Meeting them in person would be icing on the cake.

 

The intergenerational program was started years ago by Marilyn Cassidy as a way to connect seniors and young school children. For the first few years it was at Hadley Elementary School, then Clarke Elementary School, and this year its home base was Stanley.

 

 

Hause and Sackett

Pen pals Drew Hause and Shelley Sackett get ready to try their luck at bingo.

 

 

“The kids loved writing. They poured their heart and soul into their letters and I learned things while I was proofreading with them that I would otherwise not have known,” Lawler said, adding, “It was pretty special.”

 

 

Mello-Lawler-Fray-Kerr-Glynn

Mrs. Ami Lawler (second from left) and fourth grade class mom chaperones at the Swampscott Senior Center pen pal lunch.

 

 

Norma Freedman, of Swampscott, chaired this year’s Senior Center pen pal program. She has had a pen pal for many years, and even wrote to one girl throughout the summer while she was away at camp.

 

“It’s a lot of fun and it’s good for the kids. They know there’s someone in the world besides their immediate family that cares for them,” she said.

 

The biggest challenge for her? “They draw a lot on the envelopes. I’m not an artist and I don’t draw, but I tried to, to keep it interesting for them too.”

 

The students arrived at the Senior Center by van (courtesy of the Senior Center) clutching handmade decorated envelopes, presents and lunch. Their senior pen pals were already there, and squeals of delight filled the lunchroom as hugs, presents and — of course — letters were exchanged.

 

Thomas Mello presented his pen pal, retired social worker Bill Foley, with a last letter in an envelope covered with colorful drawings of his pets, a guinea pig and an aquarium full of fish. Unsurprisingly, his favorite part of the pen pal project was “drawing on the cards.”

 

Mello-Foley-Jaeger-Kerr

From left: Thomas Mello, Bill Foley and Caleb Jaeger-Kerr get to know each other over lunch.

 

 

After lunch, seniors and fourth graders played four rounds of bingo, bonding even more over lessons in frustration and good sportsmanship. Freedman reminisced how her pen pal won one game last year and hugged and kissed her. “He was so happy. It was like I gave him the world,” she said with a smile.

 

Holly Mello, Thomas’s mother and one of the class chaperones, touted the scholastic benefits of teaching kids to communicate the old fashioned way — through letters. “It’s a great way for the kids to have an applied experience to practice their writing during the school year. They have grandparents, but they see and talk to them often on the phone,” she said.

 

Even though he didn’t win at bingo, Drew Hause had a big smile on his face as he hugged his pen pal goodbye and enthusiastically invited her to continue the correspondence after school lets out for the summer.

 

He offered parting words of advice to incoming Stanley fourth grade students. “When you guys are in Mrs. Lawler’s class, and she asks if you want a pen pal, you should say yes. You’ll be so happy because then you’ll meet them and it will be so much fun!”

Rosenberg Takes the Jewish Journal Helm

 

When Steve Rosenberg was seven years old, he had a friend who delivered newspapers for The Boston Globe. He tagged along, reading the paper before throwing it on the front doorstep. That early experience opened his eyes to the fact that there was a “whole, big world outside of my neighborhood that came in a newspaper every day,” Rosenberg said.

 

His fascination with journalism grew, reaching a peak during his teenage years with the Watergate political scandal and the crucial roles played by Carl Bernstein and Bob Woodward, two young Washington Post reporters whose determination and relentless hard work broke the story that toppled Nixon’s presidency.

 

“Watergate showed just how important the free press was to our country, and that with a little digging, a young reporter could help protect our democracy. I knew then that I wanted to be a journalist,” he said.

 

Rosenberg made that dream a reality, graduating from University of Massachusetts Amherst with a major in journalism in 1981. Thirty years later, after returning to school, he earned an MFA in writing and literature from Bennington College.

 

And as of its May 4, 2017 issue, he is the new publisher and editor of the Jewish Journal. “I’m excited. This is a dynamic and thoughtful community. And, in this time and age, committed journalism is needed more than ever,” Rosenberg said. “We give voice to a population and a demographic that otherwise might be ignored, and also serve as a watchdog of the government.”

 

Rosenberg will bring decades of experience to his role, including 15 years as a staff writer and columnist for The Boston Globe and three years as editor of The Jewish Advocate. His articles and columns have been broadly published in the US, and abroad in The International Herald Tribune, Ha’aretz Newspaper and The Jerusalem Post.

 

The Jewish Journal is a 40-year-old nonprofit based in Salem that reaches 17,000 homes semimonthly. Rosenberg is its fifth editor since 2014, and Bob Rose, president of the Journal Board of Overseers, thinks he is an excellent match. “Steve has a long and distinguished career as a journalist, has very deep personal roots in the North Shore and is intensely committed to Judaism,” he said.

 

Rosenberg intends to bring strong, quality journalism that reflects the greater Jewish community of the North Shore to the Jewish Journal. He plans to make the paper “newsier” with opinion and editorial pages “filled with experts who base their pieces entirely on facts.”

 

Lynn Nadeau, of Marblehead, has been a Jewish Journal board member for 12 years and is delighted with Rosenberg’s hire. “He is a real journalist, not an advocate. He chooses his words carefully, with nuance and thought. He will uphold the values we hold: accuracy, fairness, balance, inclusiveness, civility, transparency and integrity,” she said.

 

According to Rose, Rosenberg’s duties as publisher/editor include producing print and web versions of the Jewish Journal; supervising and leading the staff; interfacing with the Board; engaging with the Jewish community in the broadest sense; and inspiring philanthropy and development.

 

“Rosenberg is a good fit because he understands that the Jewish Journal serves a niche. Hopefully, he will fill the paper with local stories that were always the meat of the paper,” said Barbara Schneider, who was the Jewish Journal’s publisher from 2004 — 2015.

 

“As publisher/editor, he has a particularly challenging role,” she continued. “The publisher’s duty is to keep a nonprofit paper on a solid financial footing while being an outreach ambassador to the community. His role as editor is to fill the paper with interesting and frequently controversial stories. Sometimes these roles conflict.”

 

Rosenberg thinks of himself as a writer and storyteller above all, and he enjoys the interview process, especially its qualities of intimacy and inherent trust. He is continuously captivated by what he learns when he spends an hour sitting and listening to someone tell their story, and by the similarities he sometimes finds with his own life. “It’s rewarding to publish these pieces because they help serve as common threads, and remind us that we have much more in common with our neighbors than we thought,” he said.

 

Many of Rosenberg’s articles for the Boston Globe chronicled life in the Greater Boston suburbs, giving voice to commonplace people. Fishermen, gang members, suburban moms, rabbis and veterans are among the hundreds his columns brought to life. His most recent book, “Middle Class Heroes: Voices from the Boston Suburbs” is an anthology of almost 90 of these columns.

 

In his new role as publisher/editor, he intends to bring similar personal stories to the Journal, focusing on people who work tirelessly in the Jewish community, and on everyday relatives who help sustain their familes and Judaism. “These pieces provide a glimpse of our shared values and priorities,” he said. “We are documenting a time and place in American history.”

 

Mark Arnold, Journal publisher/editor from 3003-2006 and a longtime journalist, applauds Rosenberg’s commitment to reflect the diversity of the local Jewish community and to write about “real people doing real things.” “Steve will be honest about the challenges our institutions face and show where we are and aren’t making progress,” he said.

 

He added that Rosenberg has the qualities needed for the position: a clear vision of the role the Jewish Journal should play in the community; a set of values and goals to steer by; patience, diplomacy, creativity, and open mind, and — thick skin. “I think Steve has been waiting his whole life for a challenge like this,” Arnold said.

 

Rosenberg and his wife, Dr. Devorah Feinbloom, a chiropractor and director of Marblehead Natural Healing, have one son Aaron, currently enrolled in Clark University’s Masters in Business Administration program.

 

Rosenberg is passionate about Israel and Judaism, and he travels to Israel a couple of times a year, where he especially loves spending time in the desert. Closer to home, he also enjoys walking and relaxing in the woods and on the beaches near his home. He has played guitar since childhood and recently bought an electric drum set. He also studies the Torah and finds Rashi’s commentaries particularly intriguing.

 

Asked which of his many accomplishments — journalist, photographer, documentary filmmaker, author, editor, TV station manager, producer — he is proudest of, Rosenberg doesn’t hesitate. “My family is the most meaningful and really, the only lasting accomplishment in my life,” he said. He also mentioned a strong group of friends from kindergarten he is in regular contact with, and whom he loves.

 

“Relationships keep me going; all else is temporary,” he said.

Reality Fair Provides Reality Check

Wulf,Gj,Boppart,Ac

Andrew Wulf, SHS Assistant Principal for Teaching and Learning, SHS seniors Xhoralgo Gjinaj and Vistor Acosta, and Bryan Boppert, SSU AssociateDirector of the Student Navigation Center, pose with the Reality Check wheel of fortune. PHOTO: Shelley A. Sackett

 

Salem High School senior Daniele Alejandro hoped the financial Salem High School Reality Fair, a simulation of the financial challenges adults face, would show him how to be financially stable. After attending last Wednesday’s event, he came away with a better idea of how many obstacles he will face to achieve that goal.

 

“I was surprised at the cost of housing and how expensive it was. We had three people sharing an apartment and it was still difficult to pay for utilities,” he said.

 

Jaileny Pimentel, whose favorite subjects are calculus and statistics and who is interested in a career in business, looked forward to learning “tricks on how to save money.” Some students, like Victor Acosta, already pay all their personal bills, such as food and cell phone. Acosta recognizes he needs to learn to save on a regular basis and hoped the fair would teach him how to better manage money so he could afford to own a car.

Alej,Pimen

SHS seniors Jaileny Pimental (left) and Daniele Alejandro about to enter the Insurance and Investments booth.

 

Other students, like Xhoralgo Gjinaj, simply welcomed the opportunity to be out of the classroom on a beautiful May day. He anticipated the fair being “fun, interesting and something new.”

 

Since 2015, Salem Public Schools has run the SHS Reality Fair, providing graduating seniors with the opportunity to experience an up close and personal snapshot of what lies ahead of them as financially independent adults. The fair also supplies them with some of the tools they will need to tackle the many obstacles they will encounter along the way.

 

“We are very excited to be partnering with Salem State University (SSU), Salem Five Bank and Cabot Wealth Management. Everyone is committed to making sure our seniors leave high school understanding how to manage money,” said Andrew Wulf, Assistant Principal for Teaching and Learning at Salem High School.

 

The Reality Fair planning team included Mikki Willson from Cabot Wealth Management; Ginny Leblanc, who teaches at Salem High School and handled most of the event coordination; and Adria Leach and Bryan Boppert from SSU. Bertolon School of Business at Salem State University hosted the event.

 

Each student received an individualized packet upon arrival with their name, occupation, and a summary of their hypothetical financial life at age 25, including net income after all taxes are deducted from their salary. Armed with that figure, they visited 16 booths to fill in the blanks on how to survive on that amount of money while also managing student loan debt and saving some money every month. Adult volunteers from the business, non-profit and public sectors staffed the booths, located in classrooms throughout the building.

 

At the end of the three-and-one-half hour fair, each student came away with a realistic monthly budget and the skills necessary to build one for themselves in the future.

 

 

Among the booths were: Career Counseling, Charity, Clothing, Credit/Lending, Credit Counseling, Education, Food, Luxury, Furniture, Housing, Insurance, Investment, Retirement, Savings and Transportation. In the Reality Check booth, a giant wheel similar to the “Wheel of Fortune” greeted visitors. Instead of winning vowels, however, a spin of this wheel yielded those little twists and turns life can unpredictably throw at you. Landing on green meant unexpected gains; red signified a loss.

 

For example, the green slots included a $100 birthday present from your parents or a part time job that yielded $250 a month. Red could mean an $875 expense to attend a wedding or $500 to replace a broken smartphone.

 

“It was really eye opening to see how the real world works,” said Alejandro, who hopes to earn an R.N. degree after graduation.

 

Bryan Boppert, Associate Director of the Student Navigation Center at SSU, greeted each student when they entered the lobby with a handshake and a smile. This was his first year of official involvement in the Reality Fair, but he was aware of it last year.

 

“Students took away the real world benefit of learning that budgeting is a skill learned through practice that requires discipline to maintain. Some students wanted fancy cars and vacations, but in the end they wound up broke,” he said, adding that the real benefit of the Reality Fair is that students can fail in a simulated way instead of trying it in the real world where they could lose their car or hurt their credit score.

 

His office, which counsels SSU students on borrowing responsibly, paying bills on time and managing the complex world of college, would love to replicate the Salem High School Reality Fair for their own students. “I would go so far as to say that the state should mandate financial literacy for all students because it has such a positive effect,” Boppert said.

 

Wulf has received positive feedback from the volunteers and students, who mentioned that the fair gave them a nice dose of reality regarding the complexities of managing their money. He believes that having volunteers from different companies and organizations was key to making the experience more authentic for the students.

 

“We have yet to hear from a student that the fair was not worthwhile,” he said with pride.

For Two Local Synagogues, Inclusion Is a Priority

 

Inclusion

Transition to Work graduates.

 

 

Congregation Shirat Hayam (CSH) in Swampscott and Temple Sinai in Marblehead were among the dozens of synagogues that applied for Ruderman Synagogue Inclusion Project (RISP) grants in 2016. They both were selected and on May 23, they will be among the nine 2017 Cohort of RISP Congregational Partners welcomed and recognized at the annual CJP “Celebrating Inclusion” event.

 

“We are very excited to be working with two synagogues on the North Shore this year and are very interested in regional collaboration,” said Molly Silver, who manages the partnership between the CJP and RISP. “Being inclusive is a sacred and holy imperative of Jews and this project helps synagogues realize their own unique vision of inclusion.”

 

For over a decade, the Ruderman Family Foundation philanthropic mission has emphasized disability advocacy and inclusion. Its newest initiative, RISP, awards $5,000 grants to synagogues in the Greater Boston and North Shore communities to help fund programs that ensure that all people, including those with profound disabilities, are able to participate in congregational activities.

 

RISP started as a pilot program in 2013 with just three Boston synagogues.

 

Sharon Shapiro is the daughter of founder Morton E. Ruderman and a Ruderman Family Foundation trustee. As Community Liaison, she is in charge of all projects in the greater Boston and North Shore areas, including RISP.

 

“There is a group of people who are not coming to synagogue because they feel there’s nothing there for them,” she said. “RISP raises awareness for inclusion in general, but specifically for people with disabilities because that is the focus of our foundation.”

 

Silver was particularly struck by Temple Sinai’s and CSH’s strategic and thoughtful Inclusion Action Plans and ambitious goals. “What stood out about their applications was a deep and profound desire among both communities to be a “kehillah k’dosha”, a holy community that strives to welcome everyone who walks through their doors.

 

Rabbi Michael Ragozin hopes CSH will become fully inclusive of children with disabilities and their families. “It’s heartbreaking to hear the stories of rejection that families, seeking to raise their children in a Jewish community, families whose children will thrive in a Torah environment, have experienced,” he said.

 

Beyond the letter of the grant, he also hopes CSH will become even more inclusive of interfaith families, the LGBTQ community, households with varied incomes, and individuals experiencing mental health issues.

 

“Inclusion is a clarion call to honor the uniqueness of each one of us,” he said.

Temple Sinai’s Rabbi David Cohen-Henriquez agrees. “To be able to reach and kiss the mezuzah, to be able to drink water or go to the restroom, to have access to the bimah and the Torah, to be able to read and hear the services are things we might take for granted,” he said, noting many others in the community might not be as fortunate.

 

Both synagogues have formed Inclusion Committees with ambitious and concrete goals and plans for the coming year. Amanda Clayman and Michele Tamaren co-chair CSH’s 14-member “Shir Lanu: One Song – Every Voice” committee. Deborah Shelkan Remis chairs Temple Sinai’s nine-member committee.

 

Remis pointed to the network already operating for congregants who need rides or meals, have hearing assisted devices or need large print siddurim. “This is just the beginning,” she said.

 

AT CSH, Hebrew School director Janice Knight leads Torah study focused on inclusion as a Jewish value and has invited trainers to work with staff and teens through “Gateways: Access to Jewish Education”. CSH greeters have received training on the use of inclusive language. An accessibility handout itemizes available inclusion support.

 

“We believe inclusion is holy, just and divine. Everyone is welcome and must feel welcome at Shirat Hayam,” Clayman said.

 

Ruderman trustee Shapiro remembers about five or six years ago when someone from CSH with an adult son with disabilities was trying desperately to make changes at the synagogue. “I think it took this project and other families coming forward to make the wok really impactful in the synagogue top down and bottom up,” she said.

 

That “someone” is Marcy Yellin, whose 32-year-old son Jacob is a regular at CSH events and services. “I’m thrilled for Shirat Hayam to be included in the Ruderman Foundation grant. I have great respect for all the things the Foundation does. It’s wonderful to see that people are taking disabilities seriously and mobilizing together to support our most vulnerable, especially in the Jewish world,” she said.

 

She paused for a moment and then added with a smile, “we have waited a very long time for this.”

Salem Artist Tapped as New ArcWorks Director

 

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Lifelong artist Susan Dodge loves her new position as Director of ArcWorks Community Center in Peabody. “The job I am doing now is just such a reward. I smile everyday. I’m happy to go to work. And I get to do so many things I really love, like curating shows, working with artists and envisioning what the next project will be,” the Salem resident said during an interview at The Bridge at 211 in Salem, where she currently has a piece on exhibit.

 

The Northeast Arc (NeArc) is a not-for-profit organization that helps children and adults with disabilities become full participants in the community. ArcWorks is its inclusive art center, which serves artists and viewers of all talents, skills, interests and backgrounds and provides artistic opportunity for people with and without disabilities.

 

In her role as its director, Dodge is responsible for scheduling gallery shows at both the art center and Breaking Grounds, the coffee shop in Peabody that NeArc runs. She also creates curriculum and teaches various art classes during the day to NeArc clients and in the evening to community members.

 

“I am happily tired at the end of the day,” Dodge said with a smile.

 

Tim Brown, Dodge’s supervisor and NeArc’s Director of Innovation and Strategy, couldn’t be more pleased to have Dodge on board.

 

“I have been a personal fan of Susan’s art for many years,” he said. “What I did not know was how each step in her personal journey fit so nicely into the model we wanted to develop.”

 

Dodge’s impressive resumé includes teaching art; a commission for 48 paintings at the famed Palm Beach, Florida property, The Breakers; a seven-year stint as Project Manager at a web design firm; a business career in sales and marketing at The Hawthorne Hotel; curating many art shows, and owning her own pottery studio, The Artful Dodger, through which she sold murals, tiles and signature pottery throughout the U.S. and the Virgin Islands.

 

She earned a B.F.A from Massachusetts College of Art and returned to school at age 48 for a certificate in digital graphic design.

 

According to Brown, the diversity of Dodge’s experience was exactly what NeArc hoped a new director bring to the position — the abilities both to develop an engaging class structure using a variety of mediums, and to manage the Gallery Shows and Shop within the ArcWorks program.

 

“Within her first four months at NeArc, she has curated five different gallery shows. Each show brought new artists and viewers, expanding our reach and recognition within the art community,” he said.

Prior to her current position, Dodge has always taught private art classes to children. This is her first time working with students with disabilities, but she sees more similarities than differences.

 

“I look at people with disabilities as just people. Creating art in so many ways is about honing a technique and seeing things. Everyone has their own vision of how they see things. Basically, making art is just translating that vision into an object or putting it on a canvas or a paper,” she said.

 

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Susan Dodge is working with Polyvios Christoforos on a painting that was ultimately featured in a collection of greeting cards handed out at the Ne-Arc “An Evening of Changing Lives Dinner and Fashion Show” on April 29

 

She works with 25-year-old Polyvios Christoforos twice a week. “He is a prolific painter. We work together really well,” she said. Christoforos’ work was featured in a collection of greeting cards handed out at NeArc’s “An Evening of Changing Lives Dinner and Fashion Show” on April 29.

 

“When you teach people with disabilities, you have to be really present, and compassionate and listen really well,” Dodge said, noting that many of her clients have speech-related issues. “I have developed different ways I work with people” depending on their needs.

 

Over the years and from her teaching experiences in the U.S. and abroad, Dodge has noticed a consistent and common thread among all her students: they share an eagerness to create something they can be proud of.

 

“In my core, I believe that everyone is an artist. It’s just a matter of letting yourself do it without judging what you’re doing,” she said.

 

For more information, visit ne-arc.org.

 

Rescuing Cats Is a Family Affair

Dedicated PALS volunteer marks fifteen years of service

 

 

The first thing Maryann Tapparro did when she left her childhood home in Rochester, New York was to get a pet. “My parents didn’t like pets; they weren’t animal people,” the Danvers resident said during a phone interview. “We were living in an apartment and so my first pet happened to be a cat.”

 

That was 54 years ago, and Tapparro has had cats ever since. “I don’t know why, but I’m just passionate about cats. They’re wonderful, intriguing animals,” she said, over the background mewling of a litter of recently born kittens.

 

Fifteen years ago, she found out about Pals Animal Lifesaver (known as “PALS”), a local all-volunteer no-kill cat shelter in Salem. The non-profit organization, founded in 1995, is dedicated to helping homeless cats and kittens find suitable, loving homes, and is funded fully by donations, adoption fees, and organized fundraisers.

 

Maryann and Cat

Maryann Tapparro with one of her many cats.

 

Since then, Tapparro has done every job there is at PALS and currently serves on its Board of Directors as Feline Coordinator. PALS has a team of rescuers on call 24-hours-a-day that responds to reports of a cat in the local area in need of rescue. As Feline Coordinator, Tapparro’s basic task is finding foster care for these rescue cats until they can be vetted and placed for adoption.

 

She has five cats of her own and has fostered hundreds over the years. “It’s very hard because we become attached to these cats, but then we are really happy that they do get adopted,” she said.

 

Some cats are sick or injured, so they may need medication or surgery. Some have chronic diseases, such as leukemia or thyroid issues, and need lifetime care. “We have some wonderful people out there who do adopt these animals and continue the medications for them,” Tapparro said.

 

She mentions educating the public as the biggest challenge PALS faces. First is teaching people to have their cats spayed or neutered. “Then there wouldn’t be so many strays,” she said.

 

Second is to educate cat owners about the importance of keeping their cats indoors because of the obvious safety hazards and because cats are not geared outdoor survival.

 

“If people move, they sometimes leave their cats thinking they can fend for themselves, but cats really are not used to eating birds and mice. It’s just a form of play for them,” she said. “That’s why we find a lot of cats in dumpsters trying to find food.”

 

They also need water, which is sometimes hard for an animal to find outdoors.

 

While fostering cats on her own, Tapparro also manages the database for all the other cats in other foster homes and initiates check-ups. All cats are followed up with and watched throughout all stages of rescue. Once well enough to enter the adoption center, a PALS Adoption Coordinator matches cats with the most suitable adopter for their needs.

 

Since 2003, PALS has been an adoption partner at PetSmart’s store at 10 Traders Ways in Salem. Hours for adoption are Saturday and Sunday from 11 a.m. until 4 p.m. and Fridays by appointment. The cats can be viewed in their cages during regular store hours.

 

According to PALS Volunteer Coordinator, Sandy Perry, the rewards of volunteering show no bounds. “Between the friendships made, helping adopters both past and present, and sharing the joys of their new family member and the wonderful felines we encounter every day, this is a wonderful, rewarding endeavor,” she said.

 

Maryann and Amanda

Maryannn Tapparro and her granddaughter and fellow PALS volunteer, Amanda Tapparro.

For Tapparro, it is also a family affair. Three of her granddaughters have followed in her footsteps and volunteer at PALS. Amanda Tapparro is the official PALS photographer.

 

Her three children have also inherited her love of animals, one going one step further. “They all have cats. One even has dogs too,” she said with a laugh.

 

For more information, visit palscats.org/ or call 978-531-7478.

 

 

Salem Film Fest Turns Ten!

The “little festival that could” celebrates with a Gala

When local filmmaker Joe Cultrera, businessman Paul Van Ness and Salem Chamber of Commerce Executive Director Rinus Oosthoek gathered at the fledgling CinemaSalem’s café in 2007, they all shared a common goal: to create an event that would be fair to documentary filmmakers and attractive to audiences. They presented a week of special film programming and live events in the middle of that same winter. “That’s about as fast as a festival can be put together once you have a venue,” said Van Ness who owns CinemaSalem. “I suppose you could call it a spring training for the big league festival that would inaugurate the next year.”

The 2008 Salem Film Fest drew 1,743 filmgoers; last year, more than 6,000 attended what has grown to be both one New England’s largest and among the nation’s most respected all-documentary film festivals. Each March, the festival presents a rich and diverse collection of the year’s best work from all over the world that helps sustain cinephiles through the long, bleak slog of New England winter.

This year the festival runs from March 2-9 and will kick off its tenth anniversary with a Gala on Thursday, March 2 at the Hawthorne Hotel that will combine presentation of the 2017 SFF Storyteller Award to Frontline founder David Fanning with a live music dance party. (Visit salemfilmfest.com/2017/gala-tickets for more information).

“Come to Salem, see the world” has been the Salem Film Fest catch phrase since its inception, both as an homage to old Salem merchant ships that established trade with the rest of the world and in tribute to the dozens of countries represented by the films the festival has screened over its ten years.

With a line-up of 35 feature and 13 short documentaries from more than 25 countries, SFF 2017 covers a lot of the globe: from the largest Syrian refugee camp in Jordan (“After Spring”) to Finland’s worst cheerleading team (“Cheer Up”); from the Mississippi Delta blues (“I Am the Blues”) to Mexico’s most famous tabloid photographer (“The Man who Saw Too Much”); from Jalalabad’s child street gangs (“Snow Monkey”) to a New York City’s West Village artist community (“Winter at Westbeth”). And everyplace in between.

Besides CinemaSalem, SFF partners with Peabody Essex Museum’s Morse Auditorium (PEM) and the National Park Service Visitor Center (NPS) as additional venues. With simultaneous screenings at all three sites, the streets of Salem feel like a mini Sundance as filmgoers greet each other on the street, making their way from one film to the next.

As in past years, SFF 2017 focuses on filmmakers as much as their films, and 19 filmmakers and/or their subjects will attend this year’s post-screening Q&A sessions, which promise to be as exciting and informative as festivalgoers have come to expect. “It’s great to see the growth of the festival while we also stay true to our roots. More and more filmmakers have found the festival to be a haven of sorts for their films, and they enjoy spending time in Salem,” said Jeff Schmidt, who has been SFF program director since 2014.

Cultrera, who handed the programming to Schmidt in 2013, agrees. “The thing I look forward to every year is getting a new crew of filmmakers to the festival: spending time interacting with them; introducing them to Salem; watching friendships build between them and some of our audience, and talking shop at after-hours gatherings,” he said.

Among this year’s line-up are three U.S. premieres: “The Day the Sun Fell” (surviving Red Cross doctors and nurses remember the day Hiroshima was bombed as nuclear disaster strikes Japan again); “Mattress Man” (an Irish 60-something-year-old creates a tacky YouTube persona to boost his failing business) and “Zimbelism” (one of the last working street photographers shares stories from his dark room). Both filmmaker Matt Zimbel and his subject and father, George S. Zimbel, will be present at the “Zimbelism” screening at PEM on Sunday, March 5 at 10:50 a.m.

The programming committee started looking for SFF 2017 films last June, and the richly varied menu of films has something to please every palette. To make planning easier, SFF offers a helpful guide that organizes the films into a number of “curated itineraries” to allow the audience to review films through specific lenses.

Three films that address complex socio-political issues through one person’s story are “Almost Sunrise”, Tickling Giants” and “Death by One Thousand Cuts”.

Filmmaker Michael Collins’ “Almost Sunrise” addresses “moral injury” by following two Iraq War veterans suffering from PTSD as they trek 2,700 miles in a last ditch effort to find the healing they both seek. Collins will attend the Q&A after the screening at PEM on Saturday, March 4 at 8:35 p.m.

“Tickling Giants” examines the aftermath of the Egyptian Arab Spring by showcasing Bassem Youssef, the “Egyptian Jon Stewart” who endangers his life and livelihood when the Morsi regime doesn’t appreciate his jokes. Filmmaker Sara Taksler will be available for a post-screening Q&A. The film is at PEM on Friday, March 3 at 8:10 p.m.

In “Death by a Thousand Cuts”, a brutal murder on the Haiti-Dominican border exposes the complex consequences of killing the Dominican forests, one cut at a time. The filmmaker will attend the Q&A after the screening at CinemaSalem on Sunday, March 5 at 5:10 p.m.

On the more whimsical side, “The League of Exotique Dancers” introduces eight unforgettable Burlesque Hall of Fame inductees who share the good, the bad and the ugly about the golden age of stripping with bawdy good humor and moving insight in a film that is a guaranteed crowd-pleaser. It screens at CinemaSalem on Saturday, March 4 at 9:40 p.m.

Those most interested in the arts have plenty to choose from this year. “The Ballad of Fred Hersch” traces the foremost jazz pianist and composer’s journey from AIDS coma survivor to musical triumph (Friday, March 3 at CinemaSalem at 5:10 p.m.). “Yarn” introduces edgy, contemporary women who are revolutionizing the art of knitting and crocheting. (Saturday, March 4 at PEM at 11:50 a.m.). “I Am the Blues” gives an up-close-and-personal tour of the original southern juke joints with the aging blues musicians who still play its “Chitlin’ Circuit”. (Closing night feature on Thursday, March 9 at CinemaSalem at 7:00 p.m.).

Every year, regular attendees look forward to the premiere of “Salem Sketches”, a series of two-minute documentaries based in Salem and created exclusively for SFF by local filmmakers and SFF Planning Committee members Cultrera and Perry Hallinan. “We’re one of the few festivals that can claim to have our own original programing,” Cultrera said with pride.

SFF 2017 is also jam-packed with events, parties and the live music performances before many of the screenings at CinemaSalem by local musicians whose contributions add to the festival’s literal good vibrations.

While the community-driven, all-volunteer festival steadfastly remains true to its ideals of high-level programming and treating filmmakers like the stars they are, the “little festival that could” seems poised for even wider appeal and reach in its second decade. All agree that fundraising and broadening the volunteer base are two critical ingredients for generating this growth.

“The festival is special, but it could be on another level entirely if we had the resources and if there was a mechanism in place in Salem that better synchronized public, private and non-profit energies,” said Cultrera.

Nonetheless, the wildly popular and highly anticipated festival draws sell-out crowds to one of the liveliest and friendliest of Salem’s many festivities. Patrons return year after year and hugging reunions in the CinemaSalem lobby are commonplace. Clearly, the Salem Film Festival is about more than films. It’s also about community.

“Come to Salem, see the world. Come to Salem, meet the world,” Oosthoek said with a smile.

Salem Film Fest runs March 2-9 with screenings at CinemaSalem, Peabody Essex Museum and National Park Service Visitors Center. For more information or to purchase tickets or passes, go to the CinemaSalem box office or visit salemfilmfest.com/2017/.