Scratching below the surface of the notorious Ruth Bader Ginsburg

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By Shelley A. Sackett

While Irin Carmon and Shana Knizhnik’s 2015 book, “Notorious RBG: The Life and Times of Ruth Bader Ginsburg,” arguably branded Justice Ginsburg as a pop-cultural phenomenon, the recently released documentary, “RBG” leaves no room to mistake this woman for a fluffy contemporary trend. The diminutive 84-year-old intellectual powerhouse is fierce, uncompromising and a diplomatic champion of women’s rights. After 25 years on the Supreme Court, she remains a force to be reckoned with.

 

Ginsburg’s determination, courage and steadfast ability to drill down on overwhelming numbers of details are the weft in the fabric of her remarkable life. Even her personal trainer, Bryant Johnson, calls her a “cyborg.”

 

Directors Betsy West and Julie Cohen have crafted an unabashed valentine to the second woman and sixth Jew appointed to the US Supreme Court, peppering their film with interviews, public appearances, archival material and even a Trump tweet. In less than two hours, they cover a lot of ground.

 

Born to impoverished working-class immigrants, Ginsburg’s intellectual prowess was evident at a young age. She credits her mother in particular with encouraging her to reach her full potential.

 

Central to the film and to Ginsburg’s life is the story of her marriage to Marty Ginsburg, one year her senior, whom she met during her undergraduate days at Cornell. “He was the first boy I ever knew who cared that I had a brain,” she says. A gifted tax attorney, Marty was also his wife’s biggest supporter, holding down the domestic front while she made history and greasing the wheels behind the scene to ensure her name was on President Clinton’s list of candidates when Byron White retired from the Supreme Court.

 

Justice Ginsburg’s days at Harvard Law School planted the seed for her trailblazing fight for the rights of women and other marginalized groups. As one of only nine women in a class of 500, she recalls — with neither resentment nor belligerence — the dean asking her why she thought she deserved a seat that belonged to a man.

 

When her husband graduated a year ahead of her and took a job in New York, she transferred to Columbia Law School, where she graduated at the top of her class with distinction. Nonetheless, no firm would hire her. “Being a woman was an impediment,” she says.

 

Determined to remove that obstruction for others, she co-founded the ACLU’s Women’s Rights Project while on the faculty at Rutgers University Law School and wrote the first legal casebook on gender-based discrimination. She also formulated a slow but steady legal strategy to end sex discrimination fashioned after Thurgood Marshall’s success at ending the US official policy of segregation.

 

She argued six cases before the Supreme Court (winning five), reasoning that the equal protection clause of the 14th amendment barred treating women differently than men, just as it barred racial discrimination. “Ruth Bader Ginsburg quite literally changed the way the world is for women,” NPR’s Nina Totenberg says during an on-screen interview.

 

Nowhere is that more evident than during Ginsburg’s Supreme Court Senate confirmation hearings, when she at times seems to play the role of patient professor lecturing the judiciary panel. “RBG” paints a memorable portrait of an extraordinarily hard-working woman, but it is also at its heart a primer in constitutional law.

 

Overall, despite its passion and solemnity, the film has a light touch, never diving deeply into the grit and controversy that must have swirled behind those hallowed judicial chambers. Ginsburg may be brainy and indomitable, but she is also charming and approachable.

 

That accessibility may explain why Teen Vogue, the e-magazine geared to teenage girls, touts an unlikely pair of stories on its recent home page. One features un-retouched photos of Rihanna’s new lingerie line. The other is “7 Essential Ruth Bader Ginsburg Supreme Rulings to Know About.”

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Filmmakers plan to bring Mass Hysteria to Salem

 

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By Shelley A. Sackett

Salem residents are used to mass hysteria in their seaside city during the month-long Halloween season, but a group of local filmmakers plan to extend the spell into the summer months when they begin shooting their comedy-thriller, “Mass Hysteria,” on the streets of Salem.

 

Set over the course of Halloween Eve, the films centers around a group of historical re-enactors who are falsely accused of witchcraft when a tourist dies on Halloween Night in Salem. The wrongly accused heroes flee as another tourist dies, then another…making it clear this is not just a random accident.

 

“Halloween in Salem is an experience of a lifetime, and we wanted to recreate a modern witch hunt surrounding this annual event. The majority of tourists come to Salem in October with no idea of what actually happened in 1692. Our goal is to make a thriller/comedy that is truthful and entertaining, but also shares the dangers of the effects of a modern-day witch hunt,” said Matt Peruse, producer of First-Names Films.

 

Mass Hysteria Still 1

Production stills from the test shoot for “Mass Hysteria,” shot on-location in Salem last October. Pictured from left: Matt Perusse and co-director/producer Jeffrey Ryan.

 

The film is set to begin production on the North Shore as early as mid-July and wrap by mid-August. The cast has not been disclosed, but Perusse promises “a great ensemble of new and veteran actors.”

 

Co-directed by First-Names producer Arielle Cimino, “Mass Hysteria” unites three former Salem residents on a project dear to their hearts. “We love the juxtaposition of Salem’s rich, historical past colliding with the reality of today’s Salem through the conduit of the millions of visitors to the city each year,” said First-Names Films co-director and producer Jeffrey Ryan in a statement.

 

First-Name Films started as an idea to create a production company that would operate as a collective of like-minded producers who strive to create independent films on a regular basis. “We aim to involve the communities around us in order to help these smaller films reach a massive audience,” Perusse said.

 

Cimino, Perusse and Ryan collaborated on “YouthMin,” First-Names Film’s last feature film, which was produced in Beverly and won the Boston Independent Film Festival’s Audience Award. The film pre-premiered at CinemaSalem to a nearly sold-out audience. With “Mass Hysteria,” the producing team aims to once again engage the town in production of the Halloween comedy/thriller through community involvement and corporate sponsorship.

 

Cimino and Ryan first met at college, where they performed together on the improv comedy team. “We discovered through improv that we not only had similar goals for our film careers, but also a strikingly similar sense of humor that would lend itself to writing and creating comedies together,” Cimino said. After graduation, they started working together on short films and TV pilots to gain experience for their eventual goal of producing and directing independent feature-length films.

 

Perusse met Ryan after returning to Massachusetts a few years after working for a time in Los Angeles as an actor. A mutual professor introduced them with the purpose of discussing how to be a working actor in New England. The two struck up a friendship, which led to an eventual collaborative relationship. “YouthMin” was their first feature-length film.

 

As filmmakers, the three share a common goal of engaging, inspiring and entertaining their audience. With “Mass Hysteria,” they aim to take the audience on a thrilling and comical journey through one of the most exciting nights of the year — Halloween in Salem. “As a result, our audiences will not only appreciate Salem’s rich historical past, but also gain an appreciation for Salem’s standing as a modern, creative and vibrant 21st century city,” said Perusse.

 

For more information, visit firstnamesfilms.com

SalemRecycles celebrates a decade of making Salem greener

 

Salem Recycles

SalemRecycles committee members received special commendations for the committee’s ten years of helping to make Salem one the North Shore’s greenest cities. Pictured from back row: Sharon Kishida, DEP; Rep. Tucker; Hannah, from Sen. Lovely’s office; Shelby Hypes (new member); Liz Vago; Penny Neal (Emeritus); Carol Hautau; Julie Rose; Susan Yochelson and Mayor Kim Driscoll. Front row: Jennifer Percy (Emeritus); Nancy Gilberg; Melynn Nuite; Erin Huggard and Lynn Murray. Current members missing from photo: Tony Keck, John Roberts and Beth Gillette. (Emeritus-members who have been active for over 5 years and who now choose to staff events, etc. and are not obligated to come to meetings.)

 

By Shelley A. Sackett

In 2008, Julie Rose had been at her job in the Salem City Engineering Department for about a year when Mayor Kim Driscoll decided that her department would manage the city’s recently negotiated trash contract, which included new recycling guidelines.

 

Rose realized the engineering department had a lot of work ahead of it to educate the community about the importance of recycling. “We didn’t have a lot of staff, but I had heard about volunteer recycling committees in other communities,” said Rose, currently Business Manager of the City of Salem Engineering Department. She wanted to start one in Salem.

 

She worked with Jason Silva, then Mayor Driscoll’s Chief of Staff, and Sharon Kashida, the Northeast District 2 Regional and Solid Waste Coordinator for the Mass. Dept. of Environmental Protection. They looked at various recycling committees throughout the North Shore.

 

By talking to other communities, they learned they would need volunteers from various fields such as graphic design, communications, the law, and others. “We needed a committee with strong and diverse skill sets to help us pull off what we wanted to do,” Rose said.

 

Collaboratively, Rose, Silva and Kashida came up with the structure for Salem’s recycling committee. SalemRecycles would be a 12-member committee that is charged with developing ways to increase recycling throughout the city and promote other green efforts. Members’ backgrounds would include environmental studies, graphic and fine arts, business, law, public health, communications and education.

 

Mayor Driscoll appointed the inaugural SalemRecycles committee in 2008 and ten years later, Rose, the committee’s only paid employee, proudly points out that of the current 12 members, 3 have been involved since the beginning and 3 more have served for 8 years or more.

 

Last month, SalemRecycles celebrated its 10th birthday, and Mayor Driscoll presented its members with special commendations for a decade of work.

 

“The Salem Recycling Committee has been such a wonderful driver of positive change in our community. Their dedication and passion for sustainability has been instrumental in so many highly successful projects, events, and initiatives in Salem over the last decade, making our city more green and more livable for all. The volunteers who devote their time to the committee and its many efforts are committed to Salem and to our planet,” Mayor Driscoll said.

 

Since 2008, Salem has become a recycling leader on the North Shore, improving recycling rates by 3 times, holding 20 events per year and pioneering many initiatives. The recipient of many grants, awards and special recognition, SalemRecycles was the winner of the 2017 Mass Municipal Award for Innovation.

 

Kashida, as municipal recycling coordinator for 39 communities north and northwest of Boston — including Salem — is in a position to compare SalemRecycles to other communities she serves, and she gives Salem high marks. “I have been able to see how Salem Recycles has enabled the City to accomplish so much more. This is not your standard volunteer committee,” she said.

 

“Under Mayor Driscoll’s continued support and Julie Rose’s aegis, the committee is empowered to work with the City to help it achieve its waste reduction and recycling goals and be on the cutting edge,” she added.

 

Among the Salem programs Kashida cites are: trash limits; dual stream recycling education campaign with the former Newark industries; E-waste collections; book swaps; an annual textile drive; an annual swap and drop; a newsletter and blog, and the recently enacted plastic bag ban.

 

Two initiatives, the food waste collection pilot and the twice-yearly Repair Café, are firsts in her district. “SalemRecycles has served as a role model for other communities to replicate, so its impact goes beyond Salem,” Kashida said. “The SalemRecycles Facebook page is considered the “go-to” source for up-to-date vetted information.”

 

Seven or eight years ago, when she first joined SalemRecycles, Nancy Gilberg took on the primary administrative role for the Facebook page. She grew it from several hundred followers to about 1,850.

 

“I enjoy writing, editing, and building positive community. I create and promote the FB events, and draw from dozens of other recycling pages and everyday life experiences to create and share content,” she said. While the committee’s primary goal is to educate and to provide recycling and diversion opportunities, “we also want it to be fun and easy.”

 

Lynn Murray has been a member since the committee’s inception and served as its Chair for a year and a half. She remembers how its initial emphasis was to educate Salem residents about the then new recycling initiative. While education remains a prime focus, social media now makes the job easier and more far reaching.

 

SalemRecycles has a Trash and Recycling page on the City website (Salem.com/trashandrecycling), the GreenSalem website (GreenSalem.com), the SalemRecycles Facebook site, videos, an e-newsletter, occasional articles in local newspapers, appearances on SATV, door hangers, flyers and more.

 

The committee’s efforts to help residents think more broadly about recycling efforts make Murray especially proud. A twice yearly book swap (attended by up to 850 people at each event), an annual Textile Drive (where 7 tons of textiles were collected last November), and the Spring Swap and Drop are examples of recycling’s reach beyond just curbside collection.

 

Murray has loved her decade serving on SalemRecycles. “The committee is made up of volunteers who represent nearly all wards of the City, are passionate about what they do, yet have a lot of fun carrying out the various initiatives. Because the volunteers are from all over the City, we serve as emissaries to neighborhood groups encouraging participation in events and answering questions,” she said.

 

Murray credits the Mayor and Rose for the committee members’ commitment and longevity. “The Mayor has given us a lot of latitude, which has allowed for the expression of creativity and the development of initiatives beyond the scope of the City-mandated recycling programs,” she explained.

 

Rose’s management style and leadership have also been crucial to SalemRecycles’ success. “She delegates work effectively, empowers committee members to come up with new initiatives and always gives credit to and focuses on the accomplishments of committee members,” Murray added.

 

Past chair and current committee member Anthony Keck is no less passionate about SalemRecycles and its mission. He pointed out how Salem’s status as a tourist destination is a mixed blessing. “Hundreds of thousands of visitors arrive in the city each year. They bring tourist dollars with them, and they also bring and create trash from their single use items,” he said. SalemRecycles is attacking this problem on several fronts.

 

Visible recycling bins are now placed throughout the City. SalemRecycles became involved with charitable walk and run sponsors and found ways to reduce trash and to recycle, “saving the City by reducing trash tonnage.” The committee introduced cigarette butt recycling bins and placed them around the city.

 

“Feedback from visitors has been encouraging and many have commented with gratitude for encouraging and providing recycling collection to them,” Keck said.

 

He considers launching the Repair Café, which teaches how items can be repaired and reused rather instead of being tossed in the trash and replaced, one of SalemRecycle’s most significant initiatives.

 

“Raising the consciousness of all residents and stakeholders to the importance of reducing trash continues to influence how people purchase products,” Keck said. “Everyone can find ways to reduce, repurpose, reuse, repair and lastly recycle.”

 

SalemRecycles holds regular meetings, open to the public, the first Tuesday of the month on the 1st floor of 90 Washington Street at 6:30 pm. For more information, visit salem.com/recycling-and-trash, greensalem.com or Salem Ma Recycles on Facebook.

 

 

Israeli Stage presents blistering, sensual drama ‘The Last Act’

 

Guy Ben-Aharon, c:o the director, photographer Esra Rotthoff

Director Guy Ben-Aharon

 

By Shelley A. Sackett

The Palestinian-Israeli conflict seems to be an unavoidable topic of discussion: in the news, in the gym, even in the produce aisle. From May 18 through June 1, the conversation will move from side bar to center stage when the Israeli Stage presents the world premiere production of award-winning playwright Joshua Sobol’s latest play, “The Last Act” at Martin Hall in the Calderwood Pavilion.

 

Known for controversial work that challenges and provokes, Sobol’s newest work boldly addresses a difficult question: once society legitimizes branding and treating a group as the “other,” is there any hope the two sides can ever see each other as anything other than an enemy?

 

Playwright Joshua Sobol

 

Crafted as a play-within-a-play, the blistering and sensual drama centers on Gilly, a Jewish-Israeli unemployed actress leading a dull, settled life, and Djul, a Palestinian actor. The two share a passion to put on theater that is risky and matters. They mount an adaptation of August Strindberg’s “Miss Julie,” a play about an aristocratic woman and a senior servant, Jean, whose mutual attraction leads to tragedy.

 

Like the characters they play, Gilly and Djul feel a magnetic pull towards each other despite the cultural, political and social barriers that separate them. The plot thickens when Gilly’s husband, Ethan, a Jewish-Israeli intelligence officer, receives a surveillance assignment that involves spying on his wife and her Palestinian co-star, whom Ethan’s boss falsely assumes is a Hamas operative.

 

New York-based actress Annelise Lawson is just getting to know her character, Gilly, and she likes what she is discovering. “Her genius is her intuition; she picks up on everything. She is unabashedly assertive in pursuing her loves and doesn’t suffer fools gladly,” she said. “I’m a little envious of how she navigates her world.”

 

At one point, Gilly growls, “Theatre should be dangerous, or else it should not be!” Lawson agrees. “To get along in our daily lives, we have to edit ourselves constantly, making sure we express our opinions in just the right way. Theatre is one of the few places where we can drop the social mask and take the temperature of our culture. The act of telling the truth is dangerous.”

 

Sobol sees many parallels between “Miss Julie,” with its irrational and rigid focus on impenetrable social class barriers, and the situation in Israel. “The Israeli-Palestinian ‘mess’ has long abandoned the territory of sound reason,” he said, pointing out that the mutual prosperity Palestinians and Jews have experienced should have convinced the two communities they can only gain from a peaceful acceptance of each other. “But instead of thriving together in peace, the Hosseini belligerent leadership of the Palestinian community opted for a forceful showdown.”

 

The Israeli Stage’s mission is to share the diversity and vitality of Israeli theatre, and Director and Producing Artistic Director Guy Ben-Ahron considers “The Last Act” a perfect fit. “While the play is inherently Israeli, it is utterly universal. The peril of the surveillance state is a global phenomenon. The option for society to choose fear or hope is one that faces all Americans today,” he said.

 

Artistically, he appreciates that the play-within-a-play structure distorts the lines of reality, inviting the audience to tune into two realities simultaneously. “It blurs the lines of comedy and tragedy- it’s funny, it’s sharp and it’s poignant. I love the playfulness of the script,” he said.

 

Nightly dialogues will follow each performance, providing an opportunity for communal reflection. “Our vision is to create an opportunity to listen, inquire and reflect deeply at a time when our world suffers mightily from divisions and distrust. We’re not trying to change hearts and minds as much as we’re trying to open them. Just a little bit,” Ben-Ahron said.

 

For more information or to buy tickets, visit israelistage.com or call (617) 933-8600.

 

Swampscott’s Zabar to be honored by Northeast-Arc on May 3

 

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Larry Zabar is the honoree at the Northeast-Arc’s May 3 fundraising event.

 

By Shelley A. Sackett

On Thursday, May 3, the Seaport Hotel in Boston will be transformed into a local star-studded runway as the Northeast Arc hosts its signature fundraising event, “An Evening of Changing Lives.” Emceed by Kim Carrigan, longtime Northeast Arc advocate and host of “The Boston Morning Show” on WRKO-AM, the evening also honors Larry Zabar of Swampscott, Executive Vice President for The New England Council and longtime Northeast Arc supporter.

 

“We are honoring Larry to shine a spotlight on all the remarkable work he has done throughout New England, especially in creating opportunities for people with disabilities,” said Jo Ann Simons, CEO, NE-Arc. She expects over 450 people to attend the event.

 

Zabar serves as a NE-Arc board member, chair of the development committee and vice chair of the advisory board. He is also the longest serving member of The New England Council, the nation’s oldest regional business organization.

 

“Receiving this award allows me to shine a spotlight on, and hopefully raise funds to support, an organization and a group of employees who really deserve this recognition. No one works at the NE-Arc because it’s easy and no one works there to get rich. They work there because of the importance of the mission, the value of giving back, and the difference they can and do make every day in the lives of people with disabilities,” Zabar said.

 

The NE-Arc is a not-for-profit organization that helps children and adults with, or at risk for developing, disabilities become full participants in the community.

 

The evening also features a fashion show spotlighting local celebrities, dignitaries, and business leaders who will be paired with individuals whose lives are changed as a result of the community’s support of the NE-Arc’s services.

 

“This is not a typical fashion show,” Simons explained. “It’s about our mission, and the fashion show and clothes are the vehicle to demonstrate how we change lives.”

 

The show will feature 12 models that represent the entire range of NE-Arc services, including early intervention, family support, employment and residential services. These families who receive NE-Arc services will be paired with local notables, such as Boston Globe Journal Editor Doug Banks and Dan Cahill, Representative for the 10th Essex district.

 

Among those walking on the runway will be the Heller family, whose son Luke has been diagnosed with a rare genetic mutation.

 

“NE-Arc has done so much for Luke and our family. The runway event is an opportunity to say thank you and to raise money and awareness in the community, because NE-Arc is so important to many families like ours,” said Jody Heller, Luke’s mom. Luke started with NE-Arc’s specialty early intervention program, Building Blocks, and now receives services through its Applied Behavioral Analysis program.

 

“The Arc has been life-changing for us,” Heller said.

 

“The Hellers are a remarkable extended family who represent part of the village that it takes to raise a child who has additional needs,” Simons said.

 

Shirley Leung of the Boston Globe, who served as a judge for last fall’s ArcTank competition, will model with her 5-year-old son. who has autism.

 

“Each pair has a story that is inspiring and helps represent the 10,000 lives we change every day,” Simons said.

 

Honoree Zabar humbly added, “This award is not about me. So many businesses in the New England Council support organizations like NE-Arc. The common thread is we all see value in what they and other groups do to make lives better.”

 

For more information or to buy tickets, visit https://ne-arc.ejoinme.org/MyEvents/AnEveningofChangingLives2018/tabid/940603/Default.aspx or contact Paula Vrattos at (978) 624-3080 or pvrattos@ne-arc.org.

 

Lights, camera, action! JCC film festival screens in Marblehead, Salem

 

 

 

APRIL 26, 2018, MARBLEHEAD – Film fans on the North Shore who love Jewish movies but don’t love driving over bridges or through tunnels to see them are in for a treat.

From Tuesday, May 8, to Friday, May 18, the fifth annual JCC of the North Shore International Jewish Film Festival will bring 12 award-winning films to theaters in Marblehead and Salem. With a range in genre from historical fiction and documentaries to mystery, comedy, and drama, the 2018 lineup has something to satisfy every taste.

The 21 members of the Film Committee and co-chairs Izzi Abrams and Sara Winer selected films that showcase Jewish- and Israeli-themed topics. None of the films have been previously shown locally and half include post-screening speakers.

The 2018 festival includes two unique Israeli films, one for mature audiences (“The Cakemaker”) and one dealing with an international problem that affects all combat veterans (“When the Smoke Clears”).

Films will be screened at the Warwick Cinema in Marblehead, the Salem Visitor Center and – for the first time ‒ Cinema Salem. Several films will be screened twice, with both evening and matinée offerings.

“This festival is a signature JCCNS event, one that we look forward to bringing to the community each and every year,” Marty Schneer, executive director of the JCCNS and Film Committee member, said in a statement.

Barbara Schneider recalled how the film festival got started. About eight years ago, when she was publisher of the Jewish Journal, the owner of the Gloucester Cinema approached her about collaborating with the Journal. But the timing wasn’t right.

After a brief and loose affiliation with the Boston Jewish Film Festival, the idea lay dormant until Schneer became executive director of the JCCNS in 2012 and revived it.

“Marty was a key motivator,” Schneider said. He started pulling together a group to help organize and plan the film festival. “I said to Marty, ‘If you want this to be successful, you need to get Izzi Abrams,’” Schneider added.

Schneer did just that and Abrams chaired the first festival in 2014 and every one since, sharing the duty for the first time this year. “It really took off. People were very excited,” Schneider said.

“Itzhak” is the Opening Night celebratory screening at the Salem Visitor Center at 7 p.m. on May 8. This inspirational American-made documentary dives below the surface of violinist Itzhak Perlman, disabled polio survivor and masterful musician, to reveal the charming and entrancing essence of the man. Dessert and live music follow the film.

Also noteworthy is “RBG,” a new documentary about the diminutive but fierce legal warrior and Supreme Court Justice, Ruth Bader Ginsburg. At 85, Ginsburg’s unique personal journey has been largely unknown, but the filmmakers shed light on this daughter of Russian Jewish immigrants and her stunning legacy. It will be shown May 10 at 8:15 at Cinema Salem.

Of special local interest is “Etched in Glass,” the remarkable story of concentration camp survivor Steve Ross, who founded the New England Holocaust Memorial in Boston. Mike Ross, Steve’s son, and the film’s director, Roger Lyons, will speak after the screening (May 11 at 2:30 p.m. at the Warwick Cinema).

While several films share roots in the Holocaust, their styles are completely different. In “1945,” (in Hungarian and Russian with English subtitles), an Orthodox man and his grown son are treated with suspicion and fear when they arrive at a small Hungarian village. Similarly, Holocaust researcher uncovers a long-buried secret that casts doubt on his family history in “The Testament” (Austria). “Bye Bye Germany” (Germany) combines upbeat klezmer music and a fresh historical perspective to tell the story of a Holocaust survivor who returns to postwar Frankfurt to strike it rich.

Rounding out the lineup are: “Humor Me,” a father-son comedy starring Elliott Gould and Sam Hoffman; “My Hero Brother” (Israel), an inspirational story about young Israelis with Down syndrome who trek through the Himalayas; and “An Act of Defiance” (South Africa), a riveting historical drama about the fight against apartheid and the lawyer who risked his life to defend them.

“Les Enfants de la Chance,” a coming-of-age drama set in 1942 France and based on a true story, will be shown at 7 p.m. on Thursday, May 17, at the Salem Visitors Center. Light refreshments and live music by Jack Skowronski follow the film.

For tickets and more information, call 781-631-8330, or visit jccns.org.

Swampscott celebrates little known Harold King Forest on May 6

Troop 53 at Harold King Forest-1

Members of Troop 53 proudly pose beside the kiosk they built at the entrance to Harold A. King Forest. Pictured from left to right: Mr. Jessie Davis, Duncan’s Volunteer Eagle Rank Coach; Ethan Grant, Boy Scout; Mr. Charlie Page, (brother of Duncan); Duncan Page, Life Scout, working towards his Eagle Rank; Mr. Chuck Page, Scoutmaster and Harris Havlicek, Boy Scout.

 

By Shelley A. Sackett

 

About a year ago, 16-year-old Eagle Scout candidate Duncan Page was thinking about what he might want to do for his Eagle project requirement. As the culmination of the Scout’s leadership training, Page knew the project has to demonstrate leadership while performing a project for the benefit of the scout’s community. He also knew he had to have all his Eagle Scout requirements completed before his 18th birthday.

 

Page went to the Swampscott Town Hall, and looked through a list of projects the town had requested. The Harold King Forest caught his eye.

 

“It was a green space and resource I didn’t even know our town had, so I went for a hike though the trail and I saw the potential and the amount of work it would take to have the trail reach it’s potential,” he said.

 

Duncan Page and kiosk

Duncan Page with the Harold A. King Forest kiosk that was part of his Eagle Scout project.

 

Wedged in the northern-most corner of Swampscott, between Lynn on one side and the quarry on the other, the forest is about the size of Tedesco Country Club.

 

Many years ago, boy scouts marked the trail, but it was only rarely used and is not currently maintained. It is also marked in only one direction. “There was no way of retracing your steps if you wanted to turn around and go back,” said Danielle Strauss, Swampscott Recreation Director.

 

Page went to see Strauss to ask if he could do his project at Harold King Forest. Part of his proposal was to mark the trail in the opposite direction, clean up the trail and build a kiosk at the end of Nichols Street, where the forest’s entrance lies. “There wasn’t even a sign that said Harold King Forest,” Strauss said.

 

Little known even by families that have called Swampscott home for several generations, Harold King Forest (also known as the Oscar Short Conservation Land) is 47 acres of wild and rugged forested land that has been dedicated as public conservation land and is managed by the Conservation Commission. Primary access is down an uneven slope from a small, paved parking is at the end of Nichols Street. It serves as habitat for both birds and mammals. Passive outdoor recreational activities such as hiking, on-leash dog walking, and wildlife observation is permitted, along with educational and nature study.

 

Strauss was delighted when Page approached her. “Harold King Forest has always been on our radar, ever since we did the Open Space and Recreation Master Plan [in 1983],” she said, adding, “Most of the people who live in Swampscott don’t even know it exists.”

 

Once he got the Town’s approval and the Recreation Department’s sponsorship, Page set to work. He solicited friends, family, scouts and other interested organizations. To demonstrate the leadership component of project, he organized teams and made sure they had the materials and direction they needed, and organized their scheduled breaks.

 

“As you can imagine, there’s no rehearsal, so there were a lot of questions,” said Troop 53 Committee Member Paul Rizk, a “scouter,” or registered adult scout. Over two full weekends, he and other adults and scouts worked directly on the project. Non-adults cleared the one marked trail with hand tools and marked trees with standardized markings. Adults operated power tools when necessary.

 

Once the trail was cleared and the kiosk was up, Strauss knew she wanted to create some kind of event with the Boy Scouts that would shine a light on the forest. “We wanted to raise awareness of this community asset. Part of living in Swampscott for a lot of people is about getting out and doing things,” she said.

 

“Celebrating the Harold King Forest” will take place on Sunday, May 6 from 1 to 3p.m.. The Boy Scouts from Troop 53 will give guided tours and answer questions. The Health Department will give out information about ticks and Strauss will provide information about invasive insect species.

 

“The event is strictly about information and the environment,” Strauss said. She also enlisted the Conservation Commission, which will hand out information about their new “Friends of Conservation” group, and Colleen Hitchcock and her Girl Scout will acquaint attendees with the iNaturalist app and the Swampscott Biodiversity Project.

 

Page, who was elected Troop 53 Senior Patrol Leader by his fellow scouts, has received positive feedback on the quality of the trail and the kiosk. His biggest hope for the May 6 event is just that people realize the Harold King Forest trail exists. “It is a hidden gem our town has that very few people know about,” he said.

 

Strauss agrees. “Everyone knows Swampscott has beaches, but not many people know that on the other side of town, we also have a forest,” she said.

Mr. Fish makes a big splash at Salem Film Fest

By Shelley A. Sackett

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Producer Ted Collins, Mr. Fish and SFF moderator Debra Longo at the PEM post-screening Q&A.

 

Dwayne Booth wears many hats.

 

He lives in the Philadelphia area, where he is a loving family man and a popular lecturer at the Annenberg School for Communication at the University of Pennsylvania.

 

For the last 25 years, he has also been known as Mr. Fish, the controversial and enormously talented freelance editorial cartoonist whose work has been published in some of the nation’s most reputable and prestigious magazines, journals, newspapers and web magazines, currently at Harpers.org and Truthdig.com.

 

Although Fish (as he prefers to be called) has written three books of cartoons and essays and won several prestigious awards, his was hardly a household name. All that has changed with the release of the documentary feature, “Mr. Fish: Cartooning from the Deep End,” which screened last Friday evening at the Peabody Essex Museum as part of the Salem Film Fest.

 

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From the left: Mr. Fish (Dwayne Booth), flanked by his two daughters, producer Ted Collins and “Mrs. Fish”, Diana Booth.

 

Not your average editorial cartoonist, Fish’s radical and sometimes outrageous work brims with controversy and biting satire, drawing from politics, propaganda, religion and social taboos. His rebellious anti-establishment philosophy is a throw back to the 1960s, yet his angst is contemporary. He has been called a poet with a cartoonist’s pen.

 

Nothing is off limits to Mr. Fish — he dares us to look away and invites us to cringe all the while challenging us to examine our assumptions and question the status quo. “I want cartooning to be dangerous and to be more than ink on paper,” Fish says to the camera.

 

Director Pablo Bryant shot over 90 hours of footage over the course of five years, and his film lets its audience through the keyhole into Fish’s private family life. Against a backdrop of Fish’s art and animation, the film explores his relationships with his wife Diana and their children; the beginning of his career; his views about money, war, and environmental catastrophe; the decline of the print industry that used to publish his work, and the diminished commercial appeal of his art.

 

“Where is the threat to the dominant culture today? There’s still so much work to do. Who’s going to do it?” Fish says in the film.

 

Watching Fish effortlessly draw his cartoons is one of the film’s greatest pleasures. Bryant’s unobtrusive camera allows the audience to eavesdrop as Fish explains how he comes up with his ideas and what drives him.

 

“The fact that I use art to communicate what it feels like to be human and why it’s significant to me- I feel like I have no other choice,” he says. “A lot of people go thru life masking what it means to be a human being. I would rather use art to demonstrate the injustice of the overall society.”

 

Faced with compromising his creativity to earn a living or staying true to his artistic and moral compass, Fish is at a real financial tipping point by the film’s end, and the audience is left wondering whether Fish will have to sell out after all.

 

Luckily, Fish, his family and the film’s producer and Massachusetts native, Ted Collins, were on hand for a lively and intimate 30-minute Q&A once the near sell-out crowd stopped clapping and settled down.

 

Asked if he was receptive to being the subject of a documentary, Fish said he really didn’t care one way or the other, but credited his wife Diana (who, with their twin daughters, later joined Fish and Collins for the Q&A) with deciding to invite director Bryant to stay with them while he was filming. “For a filmmaker, it was sort of like Jane living with chimps,” Fish said, referring to Jane Goodall.

 

Asked what happens to the original art he creates if it has no current market, Fish told a story about his early career, when he was fiercely opposed to the commodification of art. He would take his cartoons to Staples, make copies and destroy the originals. When he met the famous Los Angeles gallery owner Robert Berman ten years ago, Berman asked him for the originals. “Luckily, I had a few I was too lazy to throw away,” he said as the audience laughed.

 

Fish said that since Trump was elected President, there has been a renewed interest in his art. He published a new book in 2017, “And Then the World Blew Up,” and has two more scheduled. He even has a line of skateboards.

 

“I’ve been told, ‘Now is your time. Now you have a purpose.’ My job is very hard, though. What I don’t want to do is to turn Trump into a clown or a monster. That turns it into burlesque and ignores the underlying problem,” he said.

 

When an audience member asked Fish how parent-teacher conferences went, given his known proclivity for the graphically vulgar and obscene, he invited his family to join him on stage. His daughters told a story about their 6th grade teacher who fished their lunch bags out of the trash during a field trip because he knew Fish drew cartoon portraits of the girls.

 

Diana told about the time she entrusted her husband to attend parent-teacher open house, which included attending the girls’ classes to meet their teachers. When she received a call from Fish, she asked him why he wasn’t at the open house. “He told me he was cutting their classes,” she said.

 

Salem Film Fest Program Director Jeff Schmidt knew “Mr. Fish” would be a good fit for the Salem festival. “As a programmer, I’m constantly on the look out for films starting to make their way onto the film festival circuit.  I ran across “Mr. Fish: Cartooning From The Deep End” early on and reached out to producer Ted Collins and director Pablo Bryant to encourage them to submit to the festival. Our programming team loves films with unique characters who take chances, and Mr Fish certainly fits that bill,” he said.

 

 

North Shore religious schools struggle to engage parents

By Shelley A. Sackett

MARCH 29, 2018 – Carrie Dichter grew up in Marblehead, where she attended religious school at Temple Emanu-El through post-confirmation. She is parent committee chair of Temple Tiferet Shalom Hebrew School in Peabody, which her nine-year-old daughter has attended since pre-school. “My husband and I feel religious school is important,” she said.

Asked if there are any changes she would like to see, she answered with three words: more parental involvement.

“While life has always been busy, religion often falls between the cracks because of school, sports, clubs, arts and other special interests in addition to many families where both parents are working outside the home. Everyone is trying to navigate it in the best way possible,” she said.
Parents, teachers and rabbis from the North Shore’s religious schools who were interviewed for this article echo Dichter’s sentiment.

Over her 20-year career teaching different ages in three different schools, including her current position at Temple Emanuel in Andover, Marcie Trager has seen Hebrew School become less of a priority for parents. “Attending religious school has to come from their parent’s commitment,” she said.

Not only are parents today stretched thinner than their parents were, they also may not have fond memories of their own religious school experiences.

“When it comes to supplemental Jewish education, I have no doubt that parents who are more engaged with their child’s Jewish education will produce better results. Through anecdotal conversations, I’ve learned that a majority of adults view their own childhood experience with Hebrew school negatively. For some, they found it hypocritical that their parents forced them to attend Hebrew school, but did not engage themselves in meaningful Jewish practice,” said Rabbi Michael Ragozin of Congregation Shirat Hayam in Swampscott.

Many feel that the key to increased religious school enrollment and better attendance is family programming, beginning for toddlers long before they enter Hebrew School.

“Getting children started early with preschool, pre-K and programs like PJ Library, Tot Shabbat and other Lappin Foundation programs will help get more kids involved and enrolled,” said Allison Wolper, an educator at Temple B’nai Abraham in Beverly who has taught religious school for 25 years.

To be successful, parents and educators believe that family programming at religious schools must also acknowledge the changing demographics of congregants, and stress inclusivity. At Gloucester’s Temple Ahavat Achim, according to Phoebe Potts, director of the temple’s Family Learning, 75 percent of the religious school families are intermarried.

Stephanie Band, who teaches grade K-2 at the Gloucester temple, points to many religious school offerings that are also open to parents and families. “The importance of learning together has grown significantly as many children are learning alongside their parents and caregivers,” she said. “Families need to model for their children what they want their Jewish future to look like.”

Band stresses the importance of inclusivity in religious school and the temple community. “These families need and deserve to be treated as equitable members of the community,” she said.

Lauren Goldman, who has taught at Temple B’nai Abraham in Beverly for 16 years, also emphasizes the responsibility religious school teachers have to both honor sacred traditions and make all families feel welcome. “We must be inclusive of the LBGTQ community, children with disabilities and their families, mixed faith families – everyone,” she said. “Family programming is tantamount to involving the parents and other generations of the children’s families.”

Curricula that stress projects and social interactions – rather than traditional text-based learning – acknowledge another factor that plays a crucial role in getting parents to prioritize religious school attendance over other extra-curricular activitites: busy parents are more likely to transport their children to religious school if their kids enjoy it. “It’s very important today to make the parents happy by creating a kind of easy going environment,” said Rachel Jacobson, who teaches at Alevy Family Chabad of Peabody Jewish Center.

Stacey Chicoine, parent of third grade twins, appreciates Chabad’s innovative and hands on approach. “My Hebrew school growing up in Framingham was strict and I was slow in learning. I always felt uncomfortable asking for help,” said the Melrose resident. “Chabad is so intent on engaging the children and it has paid off. After a long day of school, my children look forward to attending.”

Parents also give religious schools high marks for establishing a sense of Jewish identity and kinship in their children. “I was hoping religious school would be a place where our kids would not only learn about Jewish tradition and history, but also make connections and feel part of a Jewish community,” said Rebecca Joyner, who attended religious school until her bat mitzvah and whose fourth and sixth grade daughters attend religious school at Temple Emanuel in Andover. “They are getting out of it what I had hoped. Some of our daughter’s closest friendships are at Hebrew school, and the temple has become a big part of their lives.”

Overall, once parents commit to sending their children to religious school, they and their children seem happy with the experience. Educators say the biggest hurdle is figuring out how to get more kids enrolled and, once enrolled, how to get their parents more involved in religious school and synagogue life.

Rabbi Meyer of Temple Emanu-El in Marblehead believes the key lies with a parent’s own Jewish practice. “The most important learning comes when our students are able to witness their parents’ valuing of Jewish education, and when what they are learning at temple comes to life in their own home and lives,” he said.

Rabbi Ragozin agrees and considers it the synagogue’s role to engage both parent and child. “Synagogues have a responsibility to offer a variety of gateways into meaningful and accessible practices, not only for the sake of adults, but also for the sake of educating children via their parents’ engagement,” he said.

Nonetheless, he is realistic about changing parents’ attitudes overnight. “Ultimately, we all need to have reasonable expectations,” he said.

Israeli artist breaks gender barrier with ‘A Fringe of Her Own’

By Shelley A. Sackett

MARCH 29, 2018 – Two summers ago, Tamar Paley started thinking about what she wanted to focus on for her senior thesis project at Shenkar College of Engineering and Design in Ramat Gan.

As one whose work is inspired as much by her own life and opinions as by form and materials, she decided to use the thesis platform as a way to bring attention to two matters she cares strongly about – feminism and gender inequality – and the “non-recognition of progressive Judaism from Israeli authorities,” the 26-year-old said by email from Tel Aviv.

Paley came up with the idea to create feminine Jewish ritual items based on but totally different from those traditionally reserved for men, including tefillin, tzitzit, and tallit. Her collection, “A Fringe of Her Own,” calls on her talent for jewelry making with delicate, inventive, and exquisite pieces specifically for women.

Soon after finishing her studies, she ran across an open call for the Hadassah-Brandeis Institute’s artist-in-residence program and submitted her work for consideration. She was selected from 30 applicants, and “A Fringe of Her Own” is now on display at HBI’s Kniznick Gallery at the Women’s Studies Research Center in Waltham through June. This is Paley’s first solo show and the first US exhibition of her work.

Initially, her peers and professors at Shenkar were unenthusiastic about her proposal. “This is not ‘mainstream’ in Israel and more than that, it is a subject of deep controversy that has led to confusion and identity questions,” she said. Once she explained what she wanted to do and why, “they got it. The support was amazing and opened up a new realm of discussion beyond design and into worlds of faith and femininity.”

Growing up in a reform/progressive Jewish community, Paley was part of a group that accepted women as religiously equal to men when it came to participating in what mainstream Israeli Judaism considers exclusively male.

“In Israel, everything is political, so women wearing a tallit or using tefillin feels like a very bold statement, sometimes even scary and uncomfortable,” she said.
Even among other progressive Israeli women, using and seeing tallit and tefillin on women doesn’t always feel natural. “They still feel like they culturally belong to men,” Paley said.

At Brandeis, her bold, innovative work was welcome.

The Hadassah-Brandeis Institute’s mission is to support “fresh ways of thinking about Jews and gender world-wise,” and Lisa Fishbayn Joffe, Shulamit Reinharz director of the institute.

“We are excited by the challenging beauty of her work and by the role that dialogue with women in the progressive movements in Israel played in her design process,” Joffe added, noting Paley will continue that conversation with women in the region through lectures and workshops.

The groundbreaking exhibit builds on Paley’s belief that jewelry can make a strong social statement while reflecting beauty and aesthetics. She deconstructs traditional patriarchal Jewish ritual objects and redesigns them to reflect a feminine consciousness using material such as German silver, handwoven textiles, found objects, gold foil, printed parchment, Lucite, and printed silk.

The results are breathtaking in their symbolism, feminine energy, and exceptional craftsmanship. The combination of graceful silverwork, delicate fringe, and carefully chosen snippets of text against a backdrop of elegant yet bold blue textile creates wearable objects with religious and spiritual significance and beauty.

“A Fringe of Her Own” garnered Paley a prestigious American-Israel Cultural Foundation scholarship. She also presented the collection at the world-renowned Marzee International Graduation Show in the Netherlands.

Joffe hopes visitors take away awareness that Israeli women are part of a vibrant art scene that is exploring contemporary issues of Jewish identity. Paley hopes for something a little deeper.

“I want attendees to leave with the notion that religion is in our hands, literally, and it is our responsibility to design and reflect our needs and beliefs,” she said. “I hope I can be a voice for some women out there, at least hopefully the friends I grew up with, and that this will encourage them to be proud of who they are and to fight for what they believe in.”

The Kniznick Gallery is located on the Brandeis University campus in the Epstein Building, 515 South St., Waltham. The exhibit is free and open to the public Monday through Friday from 9 a.m. to 5 p.m., with special weekend hours April 15 and 22. For more information, visit brandeis.edu/hbi/arts