Salem reinvests in Artists’ Row with its first Artist in Residence

By Shelley A. Sackett, Salem Gazette correspondent

downloaddownload-1

 

 

 

 

 

Last Thursday, Artists’ Row was a beehive of activity. Alexis Batakis, a UMass Amherst art major from Peabody, donned short overalls and wielded a drill as she hovered over a pile of wood in a corner that was destined to become a 24-foot community table, the latest example of Salem’s commitment to public art.

 

Kids and parents, teens and grandmas sat down together and created mosaics from buckets of natural and upcycled materials that ranged from mussel shells to pieces of fabric during the first of six weekly Public Art Salons.

 

The mosaics will eventually become the top a 24-foot long table that will remain in Artists’ Row and become a gathering place for conversation, creativity and community.

 

This Community Table is the latest brainchild of Salem’s first Artist in Residence, Claudia Paraschiv. She is a Salem architect and owner of Studioful – Architecture, Community Art and Neighborhood Design, and founder of Salem Public Space Project.

 

She was as busy as a bee, organizing volunteers, like her husband Michael Jaros, who teaches English at Salem State University, and was having a blast brandishing a hammer instead of a piece of chalk. “I love doing this. It is liberating and fun,” he said, obviously meaning it.

 

images

 

The Community Table will be built over five weeks by “anyone who would like to contribute time, artistry, ideas, help, materials or conversations,” Paraschiv said. She likes to imagine people sitting at the table and finding their artistic contribution and sharing that memory with new friends.

 

Her mission, as Artist in Residence, is to transform Artists’ Row into a local destination rather than a transitional, walk-through space. She intends to accomplish that through a series of creative placemaking events, called Public Art Salons, that will take place every Thursday, July 13 through August 17, from 3-7pm.

 

Located at 24 Derby Street in historic downtown Salem across from Old Town Hall and Derby Square at 24 New Derby Street, Artists’ Row occupies land that originally functioned as the City’s market place. Today, the space has five buildings that range in size from 370 to 1,000 square feet. Four function as working and gallery space for artist tenants, and a fifth is a restaurant, the Lobster Shanty.

 

Salem Public Art Planner Deborah Greel, who manages Artists Row and refers to its stalls as “art incubators”, wants to take the Row to the next level.

 

“It’s a place of challenged space. It’s wide. People don’t know where it is or how to get there,” she said, adding it is seen more as a cut through than a destination.

 

“We want Artists’ Row to be a creative space, a place that people are curious to stop at and see what’s going on there.”

 

To that end, the Public Art Commission and Greel launched the Artist in Residence Pilot Program (AIRPP) as an ongoing public art initiative to benefit the community by cultivating Artists’ Row’s potential. “Knowing the skill level Claudia has in creative placemaking, we asked her for a proposal,” Greel said.

 

Paraschiv was the first Artist in Residence in Dorchester’s Four Corners and recently facilitated the 289 Derby Community Design placemaking events.

 

Coined in 2010, the term placemaking describes a hands-on approach for improving a neighborhood, city, or region by inspiring people to collectively reimagine and reinvent public spaces as the heart of their community. Typically, placemaking involves a series of collaborative, inclusive meetings among stakeholders, municipal and professional representatives, and facilitators.

 

After she was hired, Paraschiv’s first step was to meet with the Artists’ Row tenants over a six week period for listening sessions where she asked them their priorities and needs, and how the AIRPP could help. “The consensus was to transform the Row into a destination rather than a traditional, walk-through space,” she said.

 

To accomplish that, she developed the concept of a Community Table with each artist tenant contributing materials that will be applied to the table directly and through use in the mosaics.

 

The Community Table will be designed and built during a series of five creative placemaking events, named Public Art Salons. These are also opportunities for people to cultivate local talent and build productive and meaningful relationships.

 

The 24-foot long table will be constructed in six parts that people can separate to sit at and lunch separately, or combine together into one long communal table. “The table will also integrate small gardens and spread knowledge about native plants,” Paraschiv said, noting that one thought is to have a birdbath right in the middle of the table.

 

To facilitate the cross pollination of ideas, she has engaged three professionals to help her host the Salons: ecological landscape designer Annie Scott (thrivedesign.studio); artist Lexiee Batakis (@ayyyitslexayyy); face painter Alison Troy (@AlisonTroy) and reading nook architect David Rabkin (@WentworthArchitecture).

 

She envisions the Salons as engaging the entire space of Artists’ Row in ways that will evolve over time with community feedback, ideas and participation. Reading areas, gardens and other possible are under discussion.

 

In the meantime, Paraschiv is very much in the moment, and her enthusiasm for the Community Table she is shepherding into being is contagious. A passerby she engages in conversation happily joins the table to create her own mosaic contribution.

 

“When Claudia was doing all those different projects each week at 289 Derby, it was just wonderful to go down there and eat and play,” Greel said with a wide smile. “Building community is actually the most important piece of the placemaking process.”

 

Anti-Semitism and Anti-Zionism collide at Chicago Dyke March

By Shelley A. Sackett

JOURNAL CORRESPONDENT

 

unnamed

From left: Marlene Copland Dodinval, Co-Chair of the A Wider Bridge Metro Council, Laurie Grauer, and Donna Fishman, past President of the Chicago Northshore NCJW Chapter.

 

An ill wind blew across Lake Michigan at the June 24 Chicago Dyke March when three women carrying Jewish Pride flags — a rainbow flag with a Star of David in the center — were asked to leave the rally by its pro-Palestinian organizers who claimed their flags were an unwelcome “trigger.”

 

Laurel Grauer, one of those ejected, told the Journal by phone, “one of the Dyke March Collective’s representatives told me this was an explicitly anti-Zionist march, and my flag was making people feel unsafe.”

 

Grauer has carried the same flag, which is from her congregation and celebrates her “queer, Jewish identity”, for over a decade. “The only difference this year is I was asked to leave,” she said.

 

The hint of trouble started before the march when Grauer noticed anti-Zionist comments on the Dyke March Collective’s social media pages and contacted Alex Martinez, its core organizer, to let her know she intended to march with her flag as she always had.

 

Martinez assured her that the march was not anti-Jewish and that there shouldn’t be an issue.

 

All was fine until the march concluded at a nearby park, where the rally continued with a bar-b-q and other activities.

 

Grauer stepped off the march and onto the green still holding her flag. “That’s when I was approached by several people telling me I had to put away my flag or leave,” she said.

 

“This is a community I care a great deal about,” Grauer said. “The way I had demonstrated my Jewish and gay pride for so long was being silenced because of some people’s conceptions of Israel.”

 

The annual Dyke March attracted some 1,500 people this year. It is billed as a more inclusive event than the larger Chicago Pride Parade, held days later.

 

In its official statement issued three days later, the Dyke March Collective reasserted its anti-Zionist platform.

 

“Zionism is an inherently white-supremacist ideology. We welcome and include people of all identities, but not all ideologies…We welcome Jewish allies and marchers who are as invested in liberation as we are,” the statement said.

 

“The Chicago Dyke March Collective is explicitly not anti-Semitic, we are anti-Zionist,” the statement continued. “The Chicago Dyke March Collective supports the liberation of Palestine and oppressed people everywhere.

 

“From Palestine to Mexico, border walls have to go!!”

 

Reaction from the local, national and international Jewish communities was swift and united, labeling the Dyke March’s action as anti-Semitic.

 

Locally, Robert Trestan, the Anti-Defamation League’s New England regional director, decried what he saw as a political litmus test designed to exclude Jews from what is supposed to be an inclusive event.

 

“They’re creating their own definition of Zionism to fit their political purposes,” he said.

 

Although disheartened by the experience, Grauer sees a silver lining. “People see there is more than one way to perceive a term or an identity, whether it be pro-Israel or pro-Palestinian, Zionist or anti-Zionist. I think it’s a touch point for a new conversation that needed to happen and maybe that’s why this story was picked up, and continues to be covered, by so many communities.

 

JewishTribe4Pride

Jew(ish) Tribe for Pride, of the North Shore, participated in the Salem pride march on June 24.

 

In stark contrast to the stormy Chicago march, a kinder, gentler ocean breeze wafted over the June 24 Salem Gay Pride March, where members of Beverly’s Temple B’nai Abraham and a new group, Jew(ish) Tribe for Pride, were among the over 10,000 participants.

 

Temple B'nai Abraham Pride Parade 2016

 

Those interviewed had nothing but praise and gratitude towards North Shore Pride, the six-year-old nonprofit that sponsors the parade.

 

“What happened at the Chicago Dyke March is unsettling and I believe anti-Semitic and it demands our attention, but it is not what happens here,” said Temple B’nai Abraham Rabbi Alison Adler.

 

This is the third year the temple has marched as a Jewish organization and the second year members wore labels with the same rainbow Jewish star that has long been a symbol of LBGTQ Jewish identity and pride. No one has said anything about it except, ‘thank you,’” Rabbi Adler said.

 

TBApridestar

The sticker worn and handed out by members of Temple B’nai Abraham which resembles the flag Laurie Grauer was not allowed to carry at the Chicago Dyke March.

 

 

Sandy Freiberg, a Beverly resident and Temple B’nai Abraham vice president, marched for the first time this year and found the experience encouraging and powerful, “in large part due to the fact that I was simultaneously celebrating my gay and Jewish identities,” he said.

 

 

All of which is music to North Shore Pride president and founder Hope Watt-Bucci’s ears.

 

“The premise of our organization is really building community with pride, so we’re all about inclusivity,” she said. She started North Shore Pride six years ago as a result of hate crimes against members of the LGBTQ community.

 

North Shore Pride is purposefully apolitical. “We are all about unity,” Watt-Bucci said.

 

Rabbi Adler seconds that. “North Shore Pride’s theme this year was ‘Stronger Together’ — and they live by it,” she said.

 

289 Derby final design a triumph for community engagement

By Shelley A. Sackett, correspondent

289derby-placemaking-placemats_votes-and-notes_page_1-1

The 289 Derby final collective schematic plan shows a balance of green space and paved surfaces with an amphitheater-like area, lawn with shade, a multi-use stage and a variety of areas for meetings, play and chance encounters.

 

289 Derby Street is a half-acre parking lot that directly borders the South River. The site hosts a pop-up carnival during Halloween each year and little else.

 

All that is about to change.

 

Salem acquired the parcel in 2016 and, with a recent $750,000 state grant for construction, the City hired CBA Landscape Architects to design the new public space that will connect downtown Salem to its waterfront.

 

CBA Landscape Architects engaged Claudia Paraschiv as a consultant for this placemaking phase. She is a public artist, urbanist, and registered architect in the Commonwealth of Massachusetts and owner of Studioful -Architecture, Community Art, and Neighborhood Design.

 

She founded the Salem Public Space Project to facilitate these placemaking meetings and engaged John Andrews, of Creative Salem, to co-facilitate. He built the 289 Derby St. website that included the public input surveys that were crucial to the information gathering process.

 

After a series of four 289 Derby Community Design Events, the permanent park design was unveiled at the fifth and final June 21 event, and it is a curvy beauty.

 

00_main

Participants of one of the four 289 Derby Community Design placemaking events.

 

The whole process took a mere five weeks and involved the participation of community members in an exciting and innovative approach to collaborative public space planning called placemaking.

 

First coined in 2010, the term describes a hands-on approach for improving a neighborhood, city, or region by inspiring people to collectively reimagine and reinvent public spaces as the heart of their community. Typically, placemaking involves a series of collaborative, inclusive meetings among stakeholders, municipal and professional representatives, and facilitators.

 

The goal for the 289 Derby Street public space project, according to Deputy Director of the Department of Planning and Community Development Kathleen M. Winn, is to have a place that is both beautiful year-round and flexible enough to accommodate different types of programming.

 

Unique to this project, however, was the process used to achieve that goal. Rather than engaging in the traditional top-down practice of having CBA Landscape Architects design the space first and then ask the public to retrofit it to specific use, the community meetings were used to hear from residents and other stakeholders what they wanted to use the space for before they designed it.

 

Anyone interested would be invited to join the conversation and have a say and a vote in how the 289 Derby space would be used and what it would look like.

 

 

“The idea is to bring the project to the people who will use the space and then have it designed to fit their desires,” Paraschiv explained.

 

Members of the Salem community were invited to help design the city’s public space at the vacant 289 Derby Street lot during four community events that took place on site from May 24 to June 14.

 

Each 289 Derby meeting gave participants a hands-on opportunity to experience the different activities the space might sponsor, such as music, yoga, gardening, games, outdoor movies and even paddle-boarding on the South River.

 

“The space was transformed to show people literally, ‘look how cool this could be!’” Paraschiv said.

 

The first event, “Dance & Design”, featured performances by local dance groups and a chalkboard wall where attendees were invited to write their favorite activities.

 

“Meet & Share” offered the opportunity to share personal visions of the public space’s character, programming, meaning and culture; games and activities were the focus of “Plan & Play.”

 

Both Paraschiv and Andrews couldn’t be more pleased with the process and its outcome.

 

“This was a grassroots effort to design and construct an otherwise empty lot. The idea is to try to bring it to the people who will use the space and then have it designed to fit those needs,” said Paraschiv,

 

“One thing we learned during placemaking is what a powerful tool the community and the municipality has with this process under the right direction,” Andrew said.

 

At the fourth meeting on June 14, approximately 200 residents local food and the opportunity to review and comment on the final two design options, one straight and one curvy.

 

By a margin of 70 to 18, the curvy plan was the overwhelming favorite.

 

cba_2-options

Participants chose the “curvy” plan at right over the straight plan at left by a          70 to 18 margin.

 

 

The final collective schematic plan shows a balance green space and paved surfaces with an amphitheater-like area, lawn with shade, a multi-use stage and a variety of areas for meetings, play and chance encounters.

 

Some of the possible green space uses include botanical gardens and a labyrinth that could double as a space for group exercise and a small skating rink in the winter.

 

“It’s hard to believe that just five weeks ago we had our first listening session with ‘Dance & Design,’” said Paraschiv.

 

CBA Landscape Architects is continuing the design work and developing cost estimates. Permitting is underway and the City expects to have documents ready for late August, according to Winn.

 

Because the lot is the site of October’s Derby Street Carnival, construction could not begin before November.

 

In her summary report, Paraschiv credits local support for helping the Community Engagement achieve its three objectives of: designing a schematic plan direction with strong public support; creating simulated events of feasible, actual use; and inspiring local stewardship of some key elements of the park and programming for 289 Derby.

 

“This permanent park design is a collaborative collection process by the people who came to the meetings and the architects,” Paraschiv said with obvious pride.

 

Andrews believes that those vested in the 289 Derby collaborative process might likewise influence the larger long-term project of creating a connection between downtown Salem and the waterfront.

 

“One thing is certain,” added Andrews, “It really drives home the emphasis on making a harbor walk a feasible and existing part of Salem’s future.”

 

For more information, visit salempublicspaceproject.com and CreativeSalem.com/289Derby.

 

North Shore Jews Pray with their Feet in Salem’s Pride Parade

 

By Shelley A. Sackett, Journal correspondent

 

Laura-Jillian

(L-R): Laura Shulman Bronstein and Rabbi Jillian Cameron with their “totes gay” tote bags.

 

The sixth annual North Shore Pride Parade and Festival will wind its way through Salem on Saturday, June 24, and for the first time, there will be an official Jewish North Shore group participating.

 

Even though the parade takes place on Shabbat, the Jewish day of rest on which observant Jews refrain from various forms of labor, 30 people have committed to marching under a banner that identifies the group as “Jew(ish) Tribe for Pride” and includes the logos of its sponsors, InterfaithFamily and Cohen Hillel Academy. 40 more have expressed interest.

 

It all started at last year’s parade, in which Laura Shulman Brochstein, Rabbi Jillian Cameron and Liz Polay-Wettengel marched with their families. They were chatting on Salem Common, where the parade ends, lamenting the lack visibility from the Jewish community, despite what they knew to be a welcoming Jewish community for LGBT individuals and families.

 

They figured the likely reason was that the event took place on Shabbat.

 

Liz with Sign

​Liz Polay-Wettengel holds an equality sign at last year’s North Shore Pride Parade.​

 

“Because of our collective professional experience working for Jewish organizations over the years, we knew that for many, this was the barrier for participation,” said Polay-Wettengel, who lives in Salem and is National Director of Marketing and Communications at InterfaithFamily.

 

Brochstein is a social worker from Marblehead and the North Shore Outreach Manager for Jewish Family and Children’s Service; Rabbi Jillian Cameron, of Salem, is the director of InterfaithFamily/Boston.

 

“We thought, ‘What if we marched as individuals and not as an organization?’” Polay-Wettengel continued. Over lunch one day, the three decided that, as Jews in the North Shore community, they wanted their LGBTQ friends to know that the Jewish community supported them.

 

The three women organized an independent Jewish group, called Jew(ish) Tribe for Pride, creating an opportunity for North Shore Jews to march together, regardless of institutional or rabbinical support or opinions.

 

As a Jew, a rabbi and a member of the LGBT community, Rabbi Cameron can’t think of a better way to spend Shabbat on June 24 than marching with her North Shore community. “For me, this is a sacred act, an act of prayer, a way to seek out greater connection with my fellow human beings and with God,” she said.

 

Although Beverly’s Temple B’nai Abraham members will participate in the Pride Parade for the third consecutive year, they march with the Beverly Multi-faith Coalition. After their Shabbat morning services in the TBA chapel have ended, “We will pray with our feet (as Rabbi Abraham Joshua Heschel described his experience marching for civil rights),” said TBA’s Rabbi Alison Adler.

 

“ I don’t see walking in a parade in support of equality and inclusion as a violation of Shabbat – just the opposite,” she said. “Shabbat is supposed to give us a taste of the kind of world we want our children and grandchildren to inherit, a world of equality, free of hatred. I am thrilled that there will be more of a Jewish presence this year under the Tribe for Pride banner.”

 

Rabbi Adler was instrumental in getting the North Shore Pride Board to change the night of the interfaith service preceding the march from Friday to Thursday. As a result, most North Shore rabbis and cantors will attend this year, leading a song together as part of the service.

 

Rabbi Michael Ragozin, of Conservative Congregation Shirat Hayam in Swampscott, applauds Rabbi Adler’s success and will attend and publicize the Thursday night event. However, he cannot do the same for Saturday’s parade.

 

“Shabbat and support for the LGBTQ community are two values that I hold dearly. Unfortunately, the North Shore Pride parade conflicts with Shabbat, and I will not publicize events that conflict with Shabbat,” he explained.

 

Rabbi David Meyer of Marblehead’s Reform Temple Emanu-el supports any of his congregants who wish to attend and participate in the parade, although he thinks it would be in poor judgment to have the Temple play an official role in a secular event that takes place on Shabbat.

 

“Although certainly not a traditional approach to Shabbat observance, sharing in the work of increasing civil rights, justice and peace in our community, nation and world is very much in keeping with Reform Jewish principles,” he said.

 

Rabbi Cameron welcomes everyone to march under the new Jew(ish) Tribe for Pride banner. “In life, there aren’t many parades, aren’t that many times we get the opportunity to show up and physically express the things which are important, which makes us who we are,” she said.

 

For more information, email northshorejews@gmail.com. or visit salem.org/event/north-shore-pride-parade/. To RSVP, go to bit.ly/NorthShorePride.

PEM hires neuroscientist to enrich visitor experience

Tedi Asher

Dr. Tedi Asher

Groundbreaking initiative first in the museum world

By Shelley A. Sackett, correspondent

 

By his own admission, Dan Monroe is “afflicted with intense curiosity.” The Peabody Essex Museum executive director and CEO relaxes by intensely investigating fields unrelated to art and appreciation, such as quantum physics.

 

A few years ago, neuroscience caught his attention. After reading roughly 150 books and publications, it became clear to him that neuroscience has a direct role to play at PEM.

 

“What we essentially do is to create experiences of art and culture. We call them exhibitions and programs, but we are really creating experiences,” he said.

 

Since research shows that all experiences are created in our brains, he reasoned, if PEM wanted to remain at the forefront of designing meaningful, relevant and impactful art experiences, it would be a good idea to better understand how brains work.

 

Essentially, he thought that by getting inside visitors’ heads and figuring out how they felt, how they saw, what caught their attention and what they remembered, PEM could enrich their visits.

 

Plus, it would make the museum a more fun experience.

 

His team began experimenting with this new approach, adding innovative multi-sensorial elements to select exhibits. Professional dancers greeted visitors in the “Rodin: Transforming Sculpture” galleries, their movements and poses reflecting those of the sculptural works. “Asia in Amsterdam” showcased fragrant spices, a soundtrack conveying 17-th century Dutch life, storytelling and striking graphics.

 

The feedback was overwhelmingly positive.

 

“The dancers created a new kind of attention and a new avenue for people to appreciate and see sculpture,” he said, noting that the traditional way museums transmit information — through written labels — is not working. “If people read them at all, they spend an average of 2.5 seconds, even at the oversized introductory panels,” he said. He wanted a more transformative experience for the PEM guest and, based on visitor surveys, so did the public.

 

After the success of the Rodin and Asia shows, Monroe and his team decided to expand their reach. They applied for and received a $130,000 grant from the Barr Foundation, a Boston-based philanthropic organization, to launch the neuroscience initiative and delve deeper into using neuroscience research to enhance the way PEM designs exhibits.

 

The initiative enabled PEM to hire Dr. Tedi Asher, a neuroscientist who earned her Ph.D. from Harvard Medical School’s Biological and Biomedical Sciences program 2016, and joined PEM as its full-time Neuroscience Researcher in April. “To our knowledge, this is the first art museum in the world to hire a neuroscientist and put them on staff,” Monroe said.

 

Asher is thrilled with her first job outside the academic arena. “Where else but at art museums can one witness such breadth and depth of emotional experience?” she asked.

 

She was looking for a position that would allow her to creatively communicate neuroscience to non-scientists in a non-traditional teaching environment that would reach beyond academia and benefit the public at large.

 

“I came across PEM’s job ad and it seemed to fit that bill,” she said.

 

Asher’s primary academic focus has been studying emotion, starting as an undergraduate at Swarthmore College, where she studied learning and memory in the common fruit fly. Her doctoral work in neuroscience investigated aggressive behavior in mice.

 

At PEM, she will step out of the laboratory and explore how PEM can enhance and enrich the visitor experience by designing exhibits that will evoke human emotions, thereby leaving lasting impressions.

 

“Teri has a keen interest in using neuroscience to make the world a better place. She’s learning a great deal about art and culture and how museums work at the same time she’s teaching us about neuroscience and how brains work,” Monroe said.

 

Asher’s tasks are threefold. She will investigate how human brains are wired to appreciate art and how that information can be used to design exhibits that resonate on a personal level. She will then work with PEM staff, teaching them basic concepts that are relevant to their work as exhibition and program designers, such as how visual and attention systems work and how they relate to emotion. Finally, she will also pen a small publication to explain the concept behind the neuroscience initiative and its applicability to museums.

 

The skills she honed during schooling — particularly her ability to “mine the literature in an efficient and effective way” — will be key to her position. Specifically, she will be looking at the structure of the visual system and how that influences visual perception, asking questions such as, “What neurostructures allow us to regulate attention? What characterizes how we allocate attention with an experience like a museum visit?”

 

It will be then be up to PEM exhibit designers and staff to translate and incorporate that information into the museum’s installations.

 

The timing of Asher’s hire couldn’t be more perfect. PEM continues to undergo a comprehensive renovation and expansion project, featuring a 40,000 square-foot new wing of galleries, which will open in 2019. At the same time, Monroe explained, PEM is also in the process of refreshing its permanent collections, creating new installations of virtually all of them.

 

“The entire experience at PEM will be new, based on ideas we’re deriving from neuroscience and other fields,” he said. Asher will assist in this overhaul too.

 

Since 2003, PEM has used The Morey Group to measure overall visitor satisfaction through a standardized survey tool used within the museum industry. Among the 80 museums tracked by Morey, PEM is head and shoulders above the rest, ranking number one every year since 2003.

 

“We’ve long been pursuing innovative approaches,” Monroe explained modestly, adding, “but the neuroscience initiative is a distinctive one.”

 

Monroe credits the neuroscience initiative with motivating PEM to shift gears away from written text and towards better and more storytelling. “Stories are the glue that holds us together as social animals. Good stories elicit emotion and emotion is really critical,” he said.

Two-day SSU symposium trains clinicians in addiction diagnosis and treatment

 

 

David Selden, a clinical social worker and therapist, has been involved with the management and provision of behavioral health services for over 35 years as a clinician, administrator, executive level manager and consultant.

 

He is the Director of Leahy Health System’s Cape Ann Adult Behavioral Learning Center in Salem and teaches part-time at Salem State University in the Psychology Department.

 

He also has a private practice with a specialty in working with teens, adults and their families who are experiencing difficulties from substance use and related mood disorders. He holds both ACSW and LICSW degrees and has lived on the North Shore for over 30 years.

 

In other words, he is no stranger to mental health and addiction issues on the North Shore. And Selden is worried.

 

“50-60% of our clients have substance use and addictive issues. We are primarily a mental health and not a specialty substance use treatment facility. This is typical for most mental health facilities, and why it is so important the staff are cross-trained in both the mental health and addiction treatments,” he said.

 

Although more and more clients with substance abuse and addiction disorders seek help initially from psychotherapists, local graduate schools do not include this topic in their curricula, he explained.

 

“Local programs are graduating new clinicians who become therapists, case managers, program directors and supervisors with no education or experience in this specialty. This is resulting in misdiagnoses, inadequate treatment and programs unprepared to provide necessary services,” the Marblehead resident said.

 

To rectify this deficiency, he has been working with administrators at Salem State University to develop training programs and curricula that may lead toward a specialty graduate program in the area of substance abuse and addiction. That long-range project has the support of local agency executives, who see a major need for this type of workforce training.

 

In the meantime, however, he is focused on the more immediate need to fill the gaping hole in practicing clinicians’ and graduate students’ training. To that end, he has spearheaded and organized a two-day symposium titled, “Substance Use and Addictive Disorders: Energizing the Community to Fight Back.”

 

The intensive and highly interactive conference will integrate elements of best practice treatment models, case studies and virtual team practice sessions. The two-day workshop runs Friday, June 16 and Saturday, June 17 from 8:30 am – 4:30 pm with 12 CEUs available for professionals who attend both days.

 

Selden worked with Dr. Carol Bonner, Associate Dean of SSU School of Social Work and Dr. Jeanne Corcoran, Interim Dean of the College and Health and Human Services. The symposium is supported by the School of Social Work and will take place at SSU’s Ellison Campus Center.

 

Between 2000 and 2016, opioid-related deaths have dramatically increased in Massachusetts, according to The Official Website of the Executive Office of Health and Human Services. For example, total statewide deaths increased by more than five-fold, from 379 to 2,069.

 

Essex county increased from 51 to 281 deaths; Salem from 5 to 19 deaths; Gloucester from 2 to 9 deaths; Swampscott from 0 to 4 deaths; and Marblehead from 3 to 4 deaths. (For more information, visit

mass.gov/eohhs/gov/departments/dph/stop-addiction/current-statistics.html.)

 

Selden thinks the symposium is both well timed and relevant.

 

Allison Bauer, who holds degrees in law and social work and is the Director of the Massachusetts Department of Public Health’s Bureau of Substance Abuse Services, will open the Friday, June 16 with a keynote address.

 

The rest of the day is devoted to topics in two areas: basic clinical (“What is Addiction?”; “Assessment and Diagnosis”; “Stages of Change/Motivational Enhancement Therapy”) and supervision/management (“State of the Treatment System”; “Self-Help 101”; “Alternative Programming”).

 

Day Two deals with treatment, post-recovery and relapse issues. Participants will spend the afternoon in virtual treatment teams that will be assigned case studies for practice in assessment and treatment planning.

 

Selden has assembled a stellar panel with a variety of degrees and professions, from business executives to educators to nurses and treatment program specialists. He has promoted the symposium through e-mail, social media and word of mouth via various professional networks.

 

Colleague feedback has been “overwhelmingly positive. Everyone I speak to agrees this is a much-needed program. The faculty all readily stepped up to volunteer their time for the symposium,” he said.

 

With the opioid addiction crisis and its human toll frequently at the forefront of local, state and national news, Selden stresses that the symposium is neither limited to nor geared exclusively for professionals in addiction treatment or related fields.

 

“The audience is anyone interested in working with people with substance use and addictive disorders,” he said, including those whose friends or loved ones may be so afflicted.

 

To register, go to substanceabuse17.eventbrite.com.

Rosenberg Takes the Jewish Journal Helm

 

When Steve Rosenberg was seven years old, he had a friend who delivered newspapers for The Boston Globe. He tagged along, reading the paper before throwing it on the front doorstep. That early experience opened his eyes to the fact that there was a “whole, big world outside of my neighborhood that came in a newspaper every day,” Rosenberg said.

 

His fascination with journalism grew, reaching a peak during his teenage years with the Watergate political scandal and the crucial roles played by Carl Bernstein and Bob Woodward, two young Washington Post reporters whose determination and relentless hard work broke the story that toppled Nixon’s presidency.

 

“Watergate showed just how important the free press was to our country, and that with a little digging, a young reporter could help protect our democracy. I knew then that I wanted to be a journalist,” he said.

 

Rosenberg made that dream a reality, graduating from University of Massachusetts Amherst with a major in journalism in 1981. Thirty years later, after returning to school, he earned an MFA in writing and literature from Bennington College.

 

And as of its May 4, 2017 issue, he is the new publisher and editor of the Jewish Journal. “I’m excited. This is a dynamic and thoughtful community. And, in this time and age, committed journalism is needed more than ever,” Rosenberg said. “We give voice to a population and a demographic that otherwise might be ignored, and also serve as a watchdog of the government.”

 

Rosenberg will bring decades of experience to his role, including 15 years as a staff writer and columnist for The Boston Globe and three years as editor of The Jewish Advocate. His articles and columns have been broadly published in the US, and abroad in The International Herald Tribune, Ha’aretz Newspaper and The Jerusalem Post.

 

The Jewish Journal is a 40-year-old nonprofit based in Salem that reaches 17,000 homes semimonthly. Rosenberg is its fifth editor since 2014, and Bob Rose, president of the Journal Board of Overseers, thinks he is an excellent match. “Steve has a long and distinguished career as a journalist, has very deep personal roots in the North Shore and is intensely committed to Judaism,” he said.

 

Rosenberg intends to bring strong, quality journalism that reflects the greater Jewish community of the North Shore to the Jewish Journal. He plans to make the paper “newsier” with opinion and editorial pages “filled with experts who base their pieces entirely on facts.”

 

Lynn Nadeau, of Marblehead, has been a Jewish Journal board member for 12 years and is delighted with Rosenberg’s hire. “He is a real journalist, not an advocate. He chooses his words carefully, with nuance and thought. He will uphold the values we hold: accuracy, fairness, balance, inclusiveness, civility, transparency and integrity,” she said.

 

According to Rose, Rosenberg’s duties as publisher/editor include producing print and web versions of the Jewish Journal; supervising and leading the staff; interfacing with the Board; engaging with the Jewish community in the broadest sense; and inspiring philanthropy and development.

 

“Rosenberg is a good fit because he understands that the Jewish Journal serves a niche. Hopefully, he will fill the paper with local stories that were always the meat of the paper,” said Barbara Schneider, who was the Jewish Journal’s publisher from 2004 — 2015.

 

“As publisher/editor, he has a particularly challenging role,” she continued. “The publisher’s duty is to keep a nonprofit paper on a solid financial footing while being an outreach ambassador to the community. His role as editor is to fill the paper with interesting and frequently controversial stories. Sometimes these roles conflict.”

 

Rosenberg thinks of himself as a writer and storyteller above all, and he enjoys the interview process, especially its qualities of intimacy and inherent trust. He is continuously captivated by what he learns when he spends an hour sitting and listening to someone tell their story, and by the similarities he sometimes finds with his own life. “It’s rewarding to publish these pieces because they help serve as common threads, and remind us that we have much more in common with our neighbors than we thought,” he said.

 

Many of Rosenberg’s articles for the Boston Globe chronicled life in the Greater Boston suburbs, giving voice to commonplace people. Fishermen, gang members, suburban moms, rabbis and veterans are among the hundreds his columns brought to life. His most recent book, “Middle Class Heroes: Voices from the Boston Suburbs” is an anthology of almost 90 of these columns.

 

In his new role as publisher/editor, he intends to bring similar personal stories to the Journal, focusing on people who work tirelessly in the Jewish community, and on everyday relatives who help sustain their familes and Judaism. “These pieces provide a glimpse of our shared values and priorities,” he said. “We are documenting a time and place in American history.”

 

Mark Arnold, Journal publisher/editor from 3003-2006 and a longtime journalist, applauds Rosenberg’s commitment to reflect the diversity of the local Jewish community and to write about “real people doing real things.” “Steve will be honest about the challenges our institutions face and show where we are and aren’t making progress,” he said.

 

He added that Rosenberg has the qualities needed for the position: a clear vision of the role the Jewish Journal should play in the community; a set of values and goals to steer by; patience, diplomacy, creativity, and open mind, and — thick skin. “I think Steve has been waiting his whole life for a challenge like this,” Arnold said.

 

Rosenberg and his wife, Dr. Devorah Feinbloom, a chiropractor and director of Marblehead Natural Healing, have one son Aaron, currently enrolled in Clark University’s Masters in Business Administration program.

 

Rosenberg is passionate about Israel and Judaism, and he travels to Israel a couple of times a year, where he especially loves spending time in the desert. Closer to home, he also enjoys walking and relaxing in the woods and on the beaches near his home. He has played guitar since childhood and recently bought an electric drum set. He also studies the Torah and finds Rashi’s commentaries particularly intriguing.

 

Asked which of his many accomplishments — journalist, photographer, documentary filmmaker, author, editor, TV station manager, producer — he is proudest of, Rosenberg doesn’t hesitate. “My family is the most meaningful and really, the only lasting accomplishment in my life,” he said. He also mentioned a strong group of friends from kindergarten he is in regular contact with, and whom he loves.

 

“Relationships keep me going; all else is temporary,” he said.

Reality Fair Provides Reality Check

Wulf,Gj,Boppart,Ac

Andrew Wulf, SHS Assistant Principal for Teaching and Learning, SHS seniors Xhoralgo Gjinaj and Vistor Acosta, and Bryan Boppert, SSU AssociateDirector of the Student Navigation Center, pose with the Reality Check wheel of fortune. PHOTO: Shelley A. Sackett

 

Salem High School senior Daniele Alejandro hoped the financial Salem High School Reality Fair, a simulation of the financial challenges adults face, would show him how to be financially stable. After attending last Wednesday’s event, he came away with a better idea of how many obstacles he will face to achieve that goal.

 

“I was surprised at the cost of housing and how expensive it was. We had three people sharing an apartment and it was still difficult to pay for utilities,” he said.

 

Jaileny Pimentel, whose favorite subjects are calculus and statistics and who is interested in a career in business, looked forward to learning “tricks on how to save money.” Some students, like Victor Acosta, already pay all their personal bills, such as food and cell phone. Acosta recognizes he needs to learn to save on a regular basis and hoped the fair would teach him how to better manage money so he could afford to own a car.

Alej,Pimen

SHS seniors Jaileny Pimental (left) and Daniele Alejandro about to enter the Insurance and Investments booth.

 

Other students, like Xhoralgo Gjinaj, simply welcomed the opportunity to be out of the classroom on a beautiful May day. He anticipated the fair being “fun, interesting and something new.”

 

Since 2015, Salem Public Schools has run the SHS Reality Fair, providing graduating seniors with the opportunity to experience an up close and personal snapshot of what lies ahead of them as financially independent adults. The fair also supplies them with some of the tools they will need to tackle the many obstacles they will encounter along the way.

 

“We are very excited to be partnering with Salem State University (SSU), Salem Five Bank and Cabot Wealth Management. Everyone is committed to making sure our seniors leave high school understanding how to manage money,” said Andrew Wulf, Assistant Principal for Teaching and Learning at Salem High School.

 

The Reality Fair planning team included Mikki Willson from Cabot Wealth Management; Ginny Leblanc, who teaches at Salem High School and handled most of the event coordination; and Adria Leach and Bryan Boppert from SSU. Bertolon School of Business at Salem State University hosted the event.

 

Each student received an individualized packet upon arrival with their name, occupation, and a summary of their hypothetical financial life at age 25, including net income after all taxes are deducted from their salary. Armed with that figure, they visited 16 booths to fill in the blanks on how to survive on that amount of money while also managing student loan debt and saving some money every month. Adult volunteers from the business, non-profit and public sectors staffed the booths, located in classrooms throughout the building.

 

At the end of the three-and-one-half hour fair, each student came away with a realistic monthly budget and the skills necessary to build one for themselves in the future.

 

 

Among the booths were: Career Counseling, Charity, Clothing, Credit/Lending, Credit Counseling, Education, Food, Luxury, Furniture, Housing, Insurance, Investment, Retirement, Savings and Transportation. In the Reality Check booth, a giant wheel similar to the “Wheel of Fortune” greeted visitors. Instead of winning vowels, however, a spin of this wheel yielded those little twists and turns life can unpredictably throw at you. Landing on green meant unexpected gains; red signified a loss.

 

For example, the green slots included a $100 birthday present from your parents or a part time job that yielded $250 a month. Red could mean an $875 expense to attend a wedding or $500 to replace a broken smartphone.

 

“It was really eye opening to see how the real world works,” said Alejandro, who hopes to earn an R.N. degree after graduation.

 

Bryan Boppert, Associate Director of the Student Navigation Center at SSU, greeted each student when they entered the lobby with a handshake and a smile. This was his first year of official involvement in the Reality Fair, but he was aware of it last year.

 

“Students took away the real world benefit of learning that budgeting is a skill learned through practice that requires discipline to maintain. Some students wanted fancy cars and vacations, but in the end they wound up broke,” he said, adding that the real benefit of the Reality Fair is that students can fail in a simulated way instead of trying it in the real world where they could lose their car or hurt their credit score.

 

His office, which counsels SSU students on borrowing responsibly, paying bills on time and managing the complex world of college, would love to replicate the Salem High School Reality Fair for their own students. “I would go so far as to say that the state should mandate financial literacy for all students because it has such a positive effect,” Boppert said.

 

Wulf has received positive feedback from the volunteers and students, who mentioned that the fair gave them a nice dose of reality regarding the complexities of managing their money. He believes that having volunteers from different companies and organizations was key to making the experience more authentic for the students.

 

“We have yet to hear from a student that the fair was not worthwhile,” he said with pride.

Salem Artist Tapped as New ArcWorks Director

 

AW10 (1)

 

Lifelong artist Susan Dodge loves her new position as Director of ArcWorks Community Center in Peabody. “The job I am doing now is just such a reward. I smile everyday. I’m happy to go to work. And I get to do so many things I really love, like curating shows, working with artists and envisioning what the next project will be,” the Salem resident said during an interview at The Bridge at 211 in Salem, where she currently has a piece on exhibit.

 

The Northeast Arc (NeArc) is a not-for-profit organization that helps children and adults with disabilities become full participants in the community. ArcWorks is its inclusive art center, which serves artists and viewers of all talents, skills, interests and backgrounds and provides artistic opportunity for people with and without disabilities.

 

In her role as its director, Dodge is responsible for scheduling gallery shows at both the art center and Breaking Grounds, the coffee shop in Peabody that NeArc runs. She also creates curriculum and teaches various art classes during the day to NeArc clients and in the evening to community members.

 

“I am happily tired at the end of the day,” Dodge said with a smile.

 

Tim Brown, Dodge’s supervisor and NeArc’s Director of Innovation and Strategy, couldn’t be more pleased to have Dodge on board.

 

“I have been a personal fan of Susan’s art for many years,” he said. “What I did not know was how each step in her personal journey fit so nicely into the model we wanted to develop.”

 

Dodge’s impressive resumé includes teaching art; a commission for 48 paintings at the famed Palm Beach, Florida property, The Breakers; a seven-year stint as Project Manager at a web design firm; a business career in sales and marketing at The Hawthorne Hotel; curating many art shows, and owning her own pottery studio, The Artful Dodger, through which she sold murals, tiles and signature pottery throughout the U.S. and the Virgin Islands.

 

She earned a B.F.A from Massachusetts College of Art and returned to school at age 48 for a certificate in digital graphic design.

 

According to Brown, the diversity of Dodge’s experience was exactly what NeArc hoped a new director bring to the position — the abilities both to develop an engaging class structure using a variety of mediums, and to manage the Gallery Shows and Shop within the ArcWorks program.

 

“Within her first four months at NeArc, she has curated five different gallery shows. Each show brought new artists and viewers, expanding our reach and recognition within the art community,” he said.

Prior to her current position, Dodge has always taught private art classes to children. This is her first time working with students with disabilities, but she sees more similarities than differences.

 

“I look at people with disabilities as just people. Creating art in so many ways is about honing a technique and seeing things. Everyone has their own vision of how they see things. Basically, making art is just translating that vision into an object or putting it on a canvas or a paper,” she said.

 

AW8 (1)

Susan Dodge is working with Polyvios Christoforos on a painting that was ultimately featured in a collection of greeting cards handed out at the Ne-Arc “An Evening of Changing Lives Dinner and Fashion Show” on April 29

 

She works with 25-year-old Polyvios Christoforos twice a week. “He is a prolific painter. We work together really well,” she said. Christoforos’ work was featured in a collection of greeting cards handed out at NeArc’s “An Evening of Changing Lives Dinner and Fashion Show” on April 29.

 

“When you teach people with disabilities, you have to be really present, and compassionate and listen really well,” Dodge said, noting that many of her clients have speech-related issues. “I have developed different ways I work with people” depending on their needs.

 

Over the years and from her teaching experiences in the U.S. and abroad, Dodge has noticed a consistent and common thread among all her students: they share an eagerness to create something they can be proud of.

 

“In my core, I believe that everyone is an artist. It’s just a matter of letting yourself do it without judging what you’re doing,” she said.

 

For more information, visit ne-arc.org.

 

Rescuing Cats Is a Family Affair

Dedicated PALS volunteer marks fifteen years of service

 

 

The first thing Maryann Tapparro did when she left her childhood home in Rochester, New York was to get a pet. “My parents didn’t like pets; they weren’t animal people,” the Danvers resident said during a phone interview. “We were living in an apartment and so my first pet happened to be a cat.”

 

That was 54 years ago, and Tapparro has had cats ever since. “I don’t know why, but I’m just passionate about cats. They’re wonderful, intriguing animals,” she said, over the background mewling of a litter of recently born kittens.

 

Fifteen years ago, she found out about Pals Animal Lifesaver (known as “PALS”), a local all-volunteer no-kill cat shelter in Salem. The non-profit organization, founded in 1995, is dedicated to helping homeless cats and kittens find suitable, loving homes, and is funded fully by donations, adoption fees, and organized fundraisers.

 

Maryann and Cat

Maryann Tapparro with one of her many cats.

 

Since then, Tapparro has done every job there is at PALS and currently serves on its Board of Directors as Feline Coordinator. PALS has a team of rescuers on call 24-hours-a-day that responds to reports of a cat in the local area in need of rescue. As Feline Coordinator, Tapparro’s basic task is finding foster care for these rescue cats until they can be vetted and placed for adoption.

 

She has five cats of her own and has fostered hundreds over the years. “It’s very hard because we become attached to these cats, but then we are really happy that they do get adopted,” she said.

 

Some cats are sick or injured, so they may need medication or surgery. Some have chronic diseases, such as leukemia or thyroid issues, and need lifetime care. “We have some wonderful people out there who do adopt these animals and continue the medications for them,” Tapparro said.

 

She mentions educating the public as the biggest challenge PALS faces. First is teaching people to have their cats spayed or neutered. “Then there wouldn’t be so many strays,” she said.

 

Second is to educate cat owners about the importance of keeping their cats indoors because of the obvious safety hazards and because cats are not geared outdoor survival.

 

“If people move, they sometimes leave their cats thinking they can fend for themselves, but cats really are not used to eating birds and mice. It’s just a form of play for them,” she said. “That’s why we find a lot of cats in dumpsters trying to find food.”

 

They also need water, which is sometimes hard for an animal to find outdoors.

 

While fostering cats on her own, Tapparro also manages the database for all the other cats in other foster homes and initiates check-ups. All cats are followed up with and watched throughout all stages of rescue. Once well enough to enter the adoption center, a PALS Adoption Coordinator matches cats with the most suitable adopter for their needs.

 

Since 2003, PALS has been an adoption partner at PetSmart’s store at 10 Traders Ways in Salem. Hours for adoption are Saturday and Sunday from 11 a.m. until 4 p.m. and Fridays by appointment. The cats can be viewed in their cages during regular store hours.

 

According to PALS Volunteer Coordinator, Sandy Perry, the rewards of volunteering show no bounds. “Between the friendships made, helping adopters both past and present, and sharing the joys of their new family member and the wonderful felines we encounter every day, this is a wonderful, rewarding endeavor,” she said.

 

Maryann and Amanda

Maryannn Tapparro and her granddaughter and fellow PALS volunteer, Amanda Tapparro.

For Tapparro, it is also a family affair. Three of her granddaughters have followed in her footsteps and volunteer at PALS. Amanda Tapparro is the official PALS photographer.

 

Her three children have also inherited her love of animals, one going one step further. “They all have cats. One even has dogs too,” she said with a laugh.

 

For more information, visit palscats.org/ or call 978-531-7478.