Davening to a different drummer: Meet Cantor Alty Weinreb

 

Aty Weinreb1

 

By Shelley A. Sackett

 

When Alty Weinreb answered the ad Congregation Shirat Hayam placed for a new cantor, it was because he was attracted to its name. “I love music (shirat) and the ocean (hayam), so I thought it might be interesting,” he said from his New York City home. After he experienced Shirat’s Shabbat Renewal Service during a weekend at the Swampscott synagogue as one of three candidates invited for live auditions, he was convinced it was more than an attraction to a name that led him to the Swampcott synagogue — it was bashert (meant to be).

It all goes back to Weinreb’s childhood. Raised in a very observant Flushing, New York Orthodox home, he would wait all week to go to shul (synagogue) to hear the cantor sing. “His voice became my refuge and inspiration,” he explained.

 

In addition to attending services, his family would head back to shul on Friday evenings after prayers and dinner for a group sing-along called Oneg Shabbos (Joy of Shabbos). “Here I was, a child surrounded by mostly grown men singing with full-throated joy and deep feeling. When everyone sang together, I was transported to a magical place,” he said.

 

Shirat’s Shabbat Renewal services, where congregants are invited to enter a meditative spiritual place through prayer and music, brought Weinreb back to those magical moments of his youth. It also reminded him of a funny story.

 

One Shabbat, he remembers the cantor was “wailing from his soul and it flew into my soul. I became lost in a davening (praying) ocean, swimming in deep waters, transfixed,” he said. Without thinking, he began hand drumming on the table in front of him.

 

Alty Weinreb2

 

His beat was getting louder and louder. Suddenly, the cantor stopped singing. “Then the Rabbi turned around and looked at me and screamed, ‘Alty, STOP! There’s no drumming in shul, young man. You are in a lot of trouble,” Weinreb continued.

 

He was mortified, but did not understand what the problem was. Fast forward to the adult Alty, recently walking into Shirat for the first time and seeing a collection of drums next to the bima (Torah ark). “Then the Rabbi invited me to play the drums during prayers,” he said, pausing for dramatic effect. “Hallelujah! Poetic justice!”

 

Weinreb began his cantorial studies because he loves Jewish prayer music. “It makes me feel alive when I sing it. It allows me to connect with people of all ages and maybe inspire in others what I first felt as a child,” he said. He holds a BA from St. Louis Rabbinical College and studied at Yeshiva University Belz School of Jewish Music in New York, where he trained in both the Ashkenazi and Sephardic traditions.

 

“I started out taking Ashkenazi cantor training and then fell in love with the Sephardic melodies,” he said. “I’ve been fortunate to have studied with two of the greatest living cantors — Cantor Joseph Malovany (Ashkenazi) and Hazzan Moshe Tessone (Sephardic).”

 

Since 2000, Weinreb has been a cantor during High Holidays and at nursing homes and hospitals. He has also taught drum and percussion and performed with a number of musical groups, including the Judeo Flamenco group, the Simcha All Stars Klezmer Band and the Cuban Jewish All Star Klezmer Band.

 

Shirat is his first residential synagogue cantor position. Weinreb feels it is the right time in his life to contribute to building a community, especially one that is such a perfect fit. “I love Shirat’s desire to rethink basic assumptions about ritual and spiritual practice,” he said. “I hope to continue on the great path that Cantor Elana Rozenfeld blazed” during her seven years at Shirat.

 

He also hopes to add some new items to Shirat’s Shabbat Synaplex™ menu, such as “Storahtelling,” a Torah service that creatively fuses traditional chanting with English translation, dramatized commentary and audience interaction that brings text to life. “I have been energized by Storahtelling,” he said.

 

Although he counts among his “most fun gigs” playing drums for Shlomo Carlebach at a Purim show and performing with his Judeo Flamenco group for 1,000 singing and dancing concertgoers at NYC’s World Music Pier 70 Concert Series, he is excited to settle into his new apartment in Salem with his wife, Elizabeth, and begin his new job on July 1.

 

So is Shirat Board President Renée Sidman. “I cannot wait to see what he will bring on a weekly basis!” she said.

 

To listen to some of Cantor Alty Weinreb’s music, visit cantoraltyshul.com/about/

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